1776: Is Anybody There?
Sherman Edwards, William Daniels, Peter Howard
1776 (Original Broadway Cast Recording)
2:46 1969
BPM
92
Key
C Minor
Camelot
5A

Embed

Share Link

1776: Is Anybody There? - Sherman Edwards, William Daniels, Peter Howard Information

Acousticness
80%
Danceability
42%
Energy
32%
Instrumentalness
0%
Liveness
16%
Loudness
79%
Speechiness
12%
Valence
36%
Popularity
Loudness
-12.832 dB

Summary

Sherman Edwards, William Daniels, Peter Howard's '1776: Is Anybody There?' came out on 1969. The duration of 1776: Is Anybody There? is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. 1776: Is Anybody There?'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 1776 (Original Broadway Cast Recording), so we believe that "1776: Is Anybody There?" is a single. In terms of popularity, 1776: Is Anybody There? is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

1776: Is Anybody There? BPM

The tempo marking of 1776: Is Anybody There? by Sherman Edwards, William Daniels, Peter Howard is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

1776: Is Anybody There? Key

This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Prisoners of Love by Gary Beach, Cady Huffman, Nathan Lane, Matthew Broderick, The Producers EnsemblePrisoners of LoveGary Beach, Cady Huffman, Nathan Lane, Matthew Broderick, The Producers EnsembleA♭ Major64B124 BPM
Gettin' Ready Rag by Brian Stokes Mitchell, Ragtime EnsembleGettin' Ready RagBrian Stokes Mitchell, Ragtime EnsembleA♭ Major74B210 BPM
Cafe Music: III. Presto by Paul Schoenfield, Young-Nam Kim, Peter HowardCafe Music: III. PrestoPaul Schoenfield, Young-Nam Kim, Peter HowardC Minor25A159 BPM
Concerto for Recorder and Viola in A minor, TWV 52:a1: 3. Dolce by Georg Philipp Telemann, Michala Petri, Pinchas Zukerman, Layton James, Peter Howard, Saint Paul Chamber OrchestraConcerto for Recorder and Viola in A minor, TWV 52:a1: 3. DolceGeorg Philipp Telemann, Michala Petri, Pinchas Zukerman, Layton James, Peter Howard, Saint Paul Chamber OrchestraC Major18B146 BPM
Annie: A New Deal for Christmas by Charles Strouse, Andrea McArdle, Reid Shelton, Sandy Faison, Raymond Thorne, Annie Ensemble, Peter HowardAnnie: A New Deal for ChristmasCharles Strouse, Andrea McArdle, Reid Shelton, Sandy Faison, Raymond Thorne, Annie Ensemble, Peter HowardG Major49B74 BPM
With Cat-Like Tread, Upon Our Prey We Steal by The Pirates Of PenzanceWith Cat-Like Tread, Upon Our Prey We StealThe Pirates Of PenzanceD Major610B128 BPM
Luck Be a Lady by Peter Gallagher, Guys and Dolls Ensemble (1992)Luck Be a LadyPeter Gallagher, Guys and Dolls Ensemble (1992)A♭ Major34B148 BPM
Keep It Gay by Gary Beach, Roger Bart, Peter Marinos, Ray Wills, Jeffry Denman, Kathy Fitzgerald, Nathan Lane, Matthew BroderickKeep It GayGary Beach, Roger Bart, Peter Marinos, Ray Wills, Jeffry Denman, Kathy Fitzgerald, Nathan Lane, Matthew BroderickD♭ Major43B82 BPM
Wait Till We're Sixty-Five by William Daniels, Barbara HarrisWait Till We're Sixty-FiveWilliam Daniels, Barbara HarrisC Major48B80 BPM
Pierre & Natasha by Josh Groban, Denée BentonPierre & NatashaJosh Groban, Denée BentonD Major210B78 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5112192630767822

End: 0.5155389308929443