"String Quartet No. 2: II" by Lee Hyla, Speculum Musicae was released on January 1, 1996. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Lee Hyla, Speculum Musicae's "Lee Hyla: We Speak Etruscan" album is number 3 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, String Quartet No. 2: II's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of String Quartet No. 2: II by Lee Hyla, Speculum Musicae to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Violin Concerto No. 1: I. | Unsuk Chin, Berliner Philharmoniker, Sir Simon Rattle, Christian Tetzlaff | D Minor | 4 | 7A | 110 BPM | ||
Concerto pour piano et orchestre: III. Vivace cantabile | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis | B Minor | 0 | 10A | 134 BPM | ||
The Pictures | Bernard Herrmann, Fernando Velázquez, Basque National Orchestral | B Major | 0 | 1B | 139 BPM | ||
Cirandas, W220: No. 16, Có-Có-Có | Heitor Villa-Lobos, Wilhem Latchoumia | B Minor | 3 | 10A | 62 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Under Water | TimeTunes | G Major | 1 | 9B | 76 BPM | ||
Hexapoda: No. 4, Jim Jives | Robert Russell Bennett, Patrick Savage, Martin Cousin | B♭ Major | 2 | 6B | 59 BPM | ||
Dunkelwelt Untersberg, 7. Sinfonie: I. Mittagsscharte: „Der Flug der Vögel tönt von alten Sagen“ | Enjott Schneider, Tonkünstler-Orchester, Alondra de la Parra | C Major | 1 | 8B | 78 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM |
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