- BPM
- 128
- Key
- F Major
- Camelot
- 7B
Pastorale - Arleen Auger Information
- Acousticness
- 99%
- Danceability
- 28%
- Energy
- 3%
- Instrumentalness
- 20%
- Liveness
- 7%
- Loudness
- 49%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 14%
- Loudness
- -30.851 dB
Summary
"Pastorale" by Arleen Auger was released on January 1, 2000. The duration of Pastorale is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Pastorale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 38 in Auger, Arleen: Arias by Arleen Auger. Based on our statistics, Pastorale's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Pastorale BPM
The tempo marking of Pastorale by Arleen Auger is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
Pastorale Key
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Symphony No.8 in E flat - "Symphony of a Thousand" / Part Two: Final scene from Goethe's "Faust": "Neige, neige, du Ohnegleiche" | Gustav Mahler, Lucia Popp, Arleen Auger, Vienna Boys' Choir, Wiener Singverein, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Major | 2 | 6B | 101 BPM | |
 | Mass in B Minor, BWV 232: Benedictus: Benedictus qui venit (Tenor) | Johann Sebastian Bach, Gerd Türk, Bach Collegium Japan Chorus, Bach Collegium Japan, Masaaki Suzuki | F♯ Major | 1 | 2B | 171 BPM | |
 | Sinfonie D-Dur, Wq. 183: Sinfonie D-Dur, Wq. 183: II. Largo | Carl Philipp Emanuel Bach, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | D Major | 0 | 10B | 106 BPM | |
 | St. Matthew Passion, BWV 244 - Part One: "Buss und Reu...Das ging hin der Zwolfen einer" | Johann Sebastian Bach, Anne Sofie von Otter, Olaf Bär, Hans Peter Blochwitz, Chicago Symphony Orchestra, Sir Georg Solti | F♯ Minor | 0 | 11A | 84 BPM | |
 | Requiem in C Minor: II. Graduale | Luigi Cherubini, Martin Pearlman, Boston Baroque | G Major | 1 | 9B | 81 BPM | |
 | Love went a-riding | Arleen Auger | F♯ Major | 2 | 2B | 176 BPM | |
 | Vivaldi: Magnificat in G Minor, RV 611: XI. Gloria (Ed. Malipiero) | Antonio Vivaldi, Riccardo Muti, New Philharmonia Chorus, New Philharmonia Orchestra | E♭ Major | 1 | 5B | 97 BPM | |
| Serenade | Arleen Auger | F Major | 0 | 7B | 170 BPM | |
 | Die Schöpfung, Hob. XXI:2 / Dritter Teil: 34. Schlußchor mit Soli: "Singt dem Herren alle Stimmen" | Franz Joseph Haydn, Gundula Janowitz, Christa Ludwig, Fritz Wunderlich, Dietrich Fischer-Dieskau, Walter Berry, Berliner Philharmoniker, Herbert von Karajan, Wiener Singverein | B♭ Major | 4 | 6B | 104 BPM | |
 | Mass in D Major, Op. 86 / Kyrie: Ia. Kyrie I | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | D Major | 2 | 10B | 79 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.154109001159668
End: 1.158142328262329