Gioachino Rossini, Lawrence Renes, Peter Mattei, Royal Stockholm Philharmonic Orchestra made "Il barbiere di Siviglia, Act I: Largo al factotum" available on October 9, 2021. With this song being about 5 minutes long, at 5:00, "Il barbiere di Siviglia, Act I: Largo al factotum" by Gioachino Rossini, Lawrence Renes, Peter Mattei, Royal Stockholm Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 50 Greatest Hits of Opera!, so we believe that "Il barbiere di Siviglia, Act I: Largo al factotum" is a single. Based on our statistics, Il barbiere di Siviglia, Act I: Largo al factotum's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Il barbiere di Siviglia, Act I: Largo al factotum by Gioachino Rossini, Lawrence Renes, Peter Mattei, Royal Stockholm Philharmonic Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 137 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Light Cavalry: Overture | Franz von Suppé, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 64 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Madama Butterfly / Act 2: "Un bel dì vedremo" | Giacomo Puccini, Mirella Freni, Philharmonia Orchestra, Giuseppe Sinopoli | D♭ Major | 1 | 3B | 173 BPM | ||
Die Meistersinger von Nürnberg, WWV 96: Overture | Richard Wagner, Polish National Radio Symphony Orchestra, Johannes Wildner | C Major | 3 | 8B | 92 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Lucia di Lammermoor / Act 2: "Chi mi frena in tal momento" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Huguette Tourangeau, Ryland Davies, Sherrill Milnes, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 3 | 3B | 73 BPM | ||
La gazza ladra: Sinfonia | Gioachino Rossini, Virtuosi Brunensis, Alberto Zedda | E Major | 2 | 12B | 93 BPM |
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