- BPM
- 63
- Key
- C Major
- Camelot
- 8B
Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) - Adelbert von Chamisso Information
- Acousticness
- 53%
- Danceability
- 61%
- Energy
- 27%
- Instrumentalness
- 0%
- Liveness
- 24%
- Loudness
- 71%
- Speechiness
- 97%
- Valence
- 36%
- Popularity
- 0%
- Loudness
- -17.136 dB
Summary
Adelbert von Chamisso's 'Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)' came out on November 3, 2017. The duration of Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is about 3 minutes long, at 3:10. Based on our data, "Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 50 in the song's album "Peter Schlemihls wundersame Geschichte (Ungekürzt)". In this album, this song's track order is #18. Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) BPM
With Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) by Adelbert von Chamisso having a BPM of 63 with a half-time of 32 BPM and a double-time of 126 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 16.2 & Peter Schlemihls wundersame Geschichte - Der Märchen-Klassiker, Kapitel 17.1 - Peter Schlemihls wundersame Geschichte (Ungekürzt) Key
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Dixit Dominus, HWV 232: VIII. Conquassabit capita | George Frideric Handel, Vox Luminis, Lionel Meunier | A Major | 1 | 11B | 101 BPM | |
 | Liederkreis, Op. 39: No. 3. Waldesgesprach (Colloquy in the Forest) | Robert Schumann, Margaret Price, James Lockhart | E Major | 1 | 12B | 113 BPM | |
 | Charpentier: Te Deum, H. 146: XI. Fiat misericordia | Marc-Antoine Charpentier, Sir Neville Marriner, Academy of St. Martin in the Fields, Ann Murray, Dawn Upshaw, Kurt Moll | A Minor | 2 | 8A | 73 BPM | |
 | Resitatiivi, Pääsiäisjuhla Oli Jo Tulossa | Markku Liukkonen, Joose Vähäsöyrinki, Heikki Rainio | C Minor | 1 | 5A | 76 BPM | |
 | Misatango, Misa a Buenos Aires: VII. Et incarnatus est | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 2 | 4A | 86 BPM | |
 | Sonate für 2 Violinen, Viola da gamba und Basso contui | Andreas Oswald, Capella Jenensis | E♭ Minor | 0 | 2A | 89 BPM | |
 | Handel: Giulio Cesare in Egitto, HWV 17, Act 3: Recitativo. "E pur così in un giorno" - Aria. "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Kathleen Battle, Sir Neville Marriner, Academy of St. Martin in the Fields | B♭ Major | 0 | 6B | 134 BPM | |
 | Stabat Mater, P. 77: VI. Vidit suum | Giovanni Battista Pergolesi, Shira Patchornik, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | |
 | Walzer-Gesänge, Op. 6: No. 5, Blaues Sternlein | Alexander von Zemlinsky, Hanna-Elisabeth Müller, Juliane Ruf | G Major | 0 | 9B | 105 BPM | |
 | Con amores, la mi madre | Fernando Obradors, Ruth Ann Swenson | F Minor | 0 | 4A | 138 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7789525985717773
End: 0.78444504737854