"Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": No. 15, Petit Adagio" by Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra was released on September 28, 2004. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra's "Glazunov : Symphony No.5 & The Seasons" album is number 18 out of 19. Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": No. 15, Petit Adagio is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Glazunov: The Seasons, Op. 67, Pt. 4 "Autumn": No. 15, Petit Adagio by Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ouverture in D Major, "Darmstadt": Harlequinade | Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl | D♭ Major | 1 | 3B | 174 BPM | ||
Antiche danze ed arie per liuto, Suite No. 1, P. 109: I. Balletto detto "Il Conte Orlando" | Ottorino Respighi, Munich Radio Orchestra, Henry Raudales | D♭ Major | 1 | 3B | 134 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | C Minor | 0 | 5A | 87 BPM | ||
The Seasons, Op.67: 2. Spring | Alexander Glazunov, Royal Philharmonic Orchestra, Vladimir Ashkenazy | F♯ Major | 1 | 2B | 94 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Tahiti Trot, Op. 16 (orchestral transcription of Youmans' Tea for Two): Taiti Trot (Tahiti Trot), Op. 16 (arr. of V. Youmans - Tea for Two) | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 1 | 4B | 138 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 0 | 5B | 144 BPM | ||
Dvořák: Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso | Antonín Dvořák, José Serebrier, Bournemouth Symphony Orchestra | G Major | 1 | 9B | 130 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Neeme Järvi, Bergen Philharmonic Orchestra, Louis Lortie, Hélène Mercier | G Major | 0 | 9B | 84 BPM |
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