"Bruch: Kol Nidrei, Op. 47" by Max Bruch, Jacqueline du Pré, Daniel Barenboim, Israel Philharmonic Orchestra was released on March 15, 2002. Bruch: Kol Nidrei, Op. 47 appears to be safe for all ages as it is not explicit. The song is number 8 out of 8 in Brahms: Cello Sonatas Nos.1 & 2 - Bruch: Kol Nidrei by Johannes Brahms, Jacqueline du Pré, Daniel Barenboim. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bruch: Kol Nidrei, Op. 47 is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bruch: Kol Nidrei, Op. 47 by Max Bruch, Jacqueline du Pré, Daniel Barenboim, Israel Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for Strings in C, Op. 48: 2. Walzer: Moderato (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 3 | 11B | 92 BPM | ||
Liszt: Lieder aus Franz Schubert's "Schwanengesang", S. 560: No. 7 Ständchen | Franz Liszt, Mariam Batsashvili | A Minor | 1 | 8A | 120 BPM | ||
The Moldau (from Má Vlast): Allegro. The First Source of the Moldau - The Second Source - Woods; Hunt; L'istesso tempo ma moderato. Peasant Wedding; L'istesso tempo. Moonlight | Bedřich Smetana, Chicago Symphony Orchestra, Daniel Barenboim | G Major | 1 | 9B | 142 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | A♭ Major | 1 | 4B | 149 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Serse, HWV 40 / Act 1: "Ombra mai fu" (Arr. for Oboe) | George Frideric Handel, Edward Brewer, Randall Wolfgang, Orpheus Chamber Orchestra | F Major | 1 | 7B | 79 BPM | ||
Piano Sonata No. 17 In D Minor, Op. 31, No. 2 -"The Tempest": 3. Allegretto | Ludwig van Beethoven, Daniel Barenboim | G Minor | 1 | 6A | 115 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM |
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