- BPM
- 172
- Key
- C Major
- Camelot
- 8B
Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II) - Orchester der Bayerischen Staatsoper München, Nicolai Gedda, Heinrich Bender Information
- Acousticness
- 99%
- Danceability
- 12%
- Energy
- 5%
- Instrumentalness
- 11%
- Liveness
- 10%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 7%
- Loudness
- -28.132 dB
Summary
"Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II)" by Orchester der Bayerischen Staatsoper München, Nicolai Gedda, Heinrich Bender was released on 2000. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Nicolai Gedda's "Great Moments of Nicolai Gedda" album is number 14 out of 48. The popularity of Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II) BPM
We consider the tempo marking of Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II) by Orchester der Bayerischen Staatsoper München, Nicolai Gedda, Heinrich Bender to be Vivace (lively and fast) because the track has a tempo of 172 BPM, a half-time of 86BPM, and a double-time of 344 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II) Key
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | |
 | Friedenstag, Op. 81, TrV 271: Sieg! Welch ein fanal entfahrt (Kommandant, Chorus, Frontoffizier) | Richard Strauss, Josef Metternich, Josef Knapp, Orchester der Bayerischen Staatsoper München, Chor der Bayerischen Staatsoper München, Joseph Keilberth | A♭ Major | 4 | 4B | 83 BPM | |
 | Die Königin von Saba, Op.27: Magische Töne, berauschender Duft (Act II) | Orchester der Bayerischen Staatsoper München, Nicolai Gedda, Heinrich Bender | C Major | 1 | 8B | 172 BPM | |
 | La Traviata / Act 1: "Che è ciò?" | Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Opera Chorus, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 84 BPM | |
 | Bach, JS: Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie | Johann Sebastian Bach, Emmanuel Pahud, Berliner Barock Solisten, Rainer Kussmaul | B Minor | 2 | 10A | 121 BPM | |
 | Nocturne No. 2 In E-Flat Major, Op. 9 No. 2 | Frédéric Chopin, Tamás Vásáry | E♭ Major | 0 | 5B | 69 BPM | |
 | Mass in B minor, BWV 232 / Agnus Dei: Agnus Dei | Johann Sebastian Bach, Kathleen Ferrier, London Philharmonic Orchestra, Sir Adrian Boult | G Minor | 2 | 6A | 106 BPM | |
 | Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | |
 | Bellini: Norma, Act 1: "Casta diva" (Norma, Chorus) | Vincenzo Bellini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano | F Major | 2 | 7B | 88 BPM | |
 | La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle | A Major | 1 | 11B | 92 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6152946949005127
End: 0.6183860301971436