Luca Francesconi, Patricia Kopatchinskaja's 'Spiccato il volo, per violino solo' came out on September 4, 2020. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of What's Next Vivaldi? by Patricia Kopatchinskaja, Il Giardino Armonico, Giovanni Antonini. The song's track number on the album is #9 out of 23 tracks. Based on our data, France was the country where this track was produced or recorded. The popularity of Spiccato il volo, per violino solo is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Spiccato il volo, per violino solo by Luca Francesconi, Patricia Kopatchinskaja has a tempo of 191 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Spiccato il volo, per violino solo being at 191 BPM, the half-time would be 96 BPM with a double-time of 382 BPM.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Notturno | Luca Francesconi, Manuel Teles | E Major | 1 | 12B | 170 BPM | ||
Violin Sonata No. 2 in Dorian Mode, C. 139: VI. Finale | Heinrich Ignaz Franz von Biber, Ars Antiqua Austria, Gunar Letzbor | A♭ Major | 1 | 4B | 66 BPM | ||
Turangalîla-Symphony: IX. Turangalîla 3. Bien modéré | Olivier Messiaen, Toronto Symphony Orchestra, Gustavo Gimeno, Marc-André Hamelin, Nathalie Forget | D♭ Major | 5 | 3B | 85 BPM | ||
Six Moments musicaux Op. 16: No. 5, Adagio sostenuto | Sergei Rachmaninoff, Salih Can Gevrek | D♭ Major | 0 | 3B | 73 BPM | ||
Auguries of Innocence | Junkie XL | A Major | 2 | 11B | 179 BPM | ||
11 Gates: No. 10. Seafloor Meditation (Whispering Mirrors at the Seafloor) | Anders Hillborg, Royal Stockholm Philharmonic Orchestra, Esa-Pekka Salonen | F Major | 0 | 7B | 89 BPM | ||
Sollima: Improvisation III | Giovanni Sollima | B Major | 0 | 1B | 133 BPM | ||
Piano Figures: VIII. Mosaic | George Benjamin | F♯ Major | 0 | 2B | 139 BPM | ||
Hush little baby | Sleep music | avatar zen | A♭ Major | 1 | 4B | 86 BPM | ||
Répons: Section 1 | Pierre Boulez, Andrew Gerzso, Ensemble Intercontemporain | A♭ Minor | 3 | 1A | 82 BPM |
Section: 0.7722735404968262
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