György Kurtág, Johann Sebastian Bach, Duo Stephanie and Saar's 'Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag)' came out on March 6, 2012. The duration of Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 17 in Bach Crossings by Johann Sebastian Bach, György Kurtág, Duo Stephanie and Saar. Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Gottes Zeit ist die allerbeste Zeit, BWV 106 (arr. by G. Kurtag) by György Kurtág, Johann Sebastian Bach, Duo Stephanie and Saar is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
6 Pieces for Piano, P. 44: No. 3. Notturno. Lento (Version for Harp) | Ottorino Respighi, Magdalena Hoffmann | F♯ Major | 0 | 2B | 88 BPM | ||
Keyboard Suite No. 1 (Set II) in B-Flat Major, HWV 434: IV. Menuet (arr. W. Kempff for piano) | Wilhelm Kempff, George Frideric Handel, Roberto Cominati | G Minor | 0 | 6A | 60 BPM | ||
Young Birches, Op. 128, No. 2 | Amy Beach, Joanne Polk | F♯ Minor | 1 | 11A | 170 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
Ravel: Miroirs, M. 43: II. Oiseaux tristes | Maurice Ravel, Bertrand Chamayou | B Major | 0 | 1B | 69 BPM | ||
Nocturne | Lili Boulanger, Janine Jansen, Itamar Golan | F Major | 0 | 7B | 85 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
La damoiselle élue, L. 62: Prélude | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM | ||
Herr Christ, der einge Gottessohn, BWV 601 (Arr. for Piano 4 Hands by György Kurtág) | Johann Sebastian Bach, György Kurtág, Ani Sulkhanishvili, Nia Sulkhanishvili | A Major | 2 | 11B | 83 BPM |
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