On January 1, 1998, the song "Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck" was released by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez. With Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 23 in the song's album "Schoenberg: Pierrot Lunaire; Herzgewächse; Ode to Napoleon". In this album, this song's track order is #18. Based on our statistics, Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Pierrot Lunaire, Op. 21 / Part 3: XVIII. Der Mondfleck by Arnold Schoenberg, Christine Schäfer, Ensemble Intercontemporain, Pierre Boulez having a BPM of 132 with a half-time of 66 BPM and a double-time of 264 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet, "1931": IV. Allegro possibile | Ruth Crawford Seeger, Pacifica Quartet | D Minor | 1 | 7A | 102 BPM | ||
Romeo and Juliet, Op.64 - Act 1: At The Capulets' (Preparations For the Ball) | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | B Major | 0 | 1B | 127 BPM | ||
Promethée - Le poème du feu, Op. 60 | Alexander Scriabin, Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe | B♭ Minor | 1 | 3A | 65 BPM | ||
Kantate No. 2, Op. 31: V. Freundselig ist das Wort | Anton Webern, Pierre Boulez, London Symphony Orchestra | A♭ Major | 0 | 4B | 104 BPM | ||
L'Oiseau de feu, K010: III. Apparition de l’oiseau de feu, poursuivi par Ivan Tsarevitch | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Minor | 0 | 6A | 78 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Das Lied von der Erde: Von der Jugend | Gustav Mahler, Michael Schade, Wiener Philharmoniker, Pierre Boulez | G Minor | 1 | 6A | 79 BPM | ||
Structures, Book 1: Piece No. 2 | Pierre Boulez, Yvonne Loriod | D♭ Major | 0 | 3B | 107 BPM | ||
Piano Quintet in G Minor, Op. 57: I. Prelude | Dmitri Shostakovich, Julian Rachlin, Janine Jansen, Yuri Bashmet, Mischa Maisky, Itamar Golan | C Minor | 3 | 5A | 130 BPM | ||
Notations I-IV, VII: II. Très vif. Strident | Pierre Boulez, Seattle Symphony Orchestra, Ludovic Morlot | F Major | 8 | 7B | 130 BPM |
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