I Musici Di San Marco, Alberto Lizzio's 'Symphony No.8 G Major HOB 1-8 'Le Soir': Allegro Molto' came out on July 1, 1996. Symphony No.8 G Major HOB 1-8 'Le Soir': Allegro Molto is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The track order of this song in I Musici Di San Marco, Alberto Lizzio's "Haydn - Symphonies" album is number 9 out of 12. Based on our statistics, Symphony No.8 G Major HOB 1-8 'Le Soir': Allegro Molto's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No.8 G Major HOB 1-8 'Le Soir': Allegro Molto by I Musici Di San Marco, Alberto Lizzio to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Symphony in F sharp minor, H.I No.45 -"Farewell": 4. Finale. Presto | Franz Joseph Haydn, Orpheus Chamber Orchestra | A Major | 2 | 11B | 76 BPM | ||
L'Arlésienne Suite No.2: Intermezzo | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 0 | 5B | 88 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
12 Etudes, Op.10: No. 2 in A Minor | Frédéric Chopin, Jan Lisiecki | B♭ Major | 2 | 6B | 142 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto for Violin and Oboe in C Minor, BWV 1060R: III. Allegro | Johann Sebastian Bach, Dunedin Consort, John Butt, Cecilia Bernardini, Alfredo Bernardini | B Minor | 4 | 10A | 110 BPM | ||
Concerto Grosso Op.25-2 D Major 'Watermusic Suite No.2': Bourree | I Musici Di San Marco, Alberto Lizzio | D Major | 3 | 10B | 114 BPM |
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