Gaspar Sanz, Fahmi Alqhai, Accademia del Piacere's 'Marionas (arr. F. Alqhai)' came out on May 7, 2013. With this song being around four minutes long, at 4:23, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Rediscovering Spain: Fantasías, diferencias & glosas". In this album, this song's track order is #2. Based on our statistics, Marionas (arr. F. Alqhai)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Marionas (arr. F. Alqhai) by Gaspar Sanz, Fahmi Alqhai, Accademia del Piacere having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto for 2 Guitars & Orchestra: III. Allegro moderato | Hermann Ambrosius, Duo Imbesi Zangarà, Orchestra a Plettro Conservatorio A. Scarlatti Palermo | G Major | 3 | 9B | 128 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Ojos Brujos | Leo Brouwer | A Minor | 2 | 8A | 114 BPM | ||
La Alborada, Caprice | Philip Hemmo | D Major | 2 | 10B | 118 BPM | ||
Suite española, Op. 47 - Transcr. Isaac Albéniz: No. 3 Sevilla | Isaac Albéniz, Miloš Karadaglić | G Major | 1 | 9B | 109 BPM | ||
5 Bagatelles: IV. Sempre espressivo | William Walton, Ana Vidovic | B Minor | 0 | 10A | 117 BPM | ||
Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 1. Francisco Goya y Lucientes, Pintor (Francisco Goya y Lucientes, Painter) | Mario Castelnuovo-Tedesco, Zoran Dukic | A Minor | 1 | 8A | 108 BPM | ||
Concerto for 2 Mandolins in G Major for Strings and Continuo, RV 532: II. Andante | Antonio Vivaldi, L'Arte dell' Arco, Mauro Squillante, Davide Rebuffa, Federico Guglielmo | E Minor | 1 | 9A | 70 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM | ||
Un dia de noviembre | Leo Brouwer, Miloš Karadaglić | A Minor | 0 | 8A | 87 BPM |
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