Johann Gottlieb Graun, London Baroque's 'Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto' came out on May 28, 2013. With this song being about 5 minutes long, at 5:28, "Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto" by Johann Gottlieb Graun, London Baroque is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Sweden. Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in B-Flat Major, GraunWV A:XV:16: II. Allegretto by Johann Gottlieb Graun, London Baroque having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Trio in G Major, BWV 1027a | Johann Sebastian Bach, Antonio Vivaldi, Giuseppe Torelli, Johann Gottlieb Graun, George Frideric Handel, Manuel Tomadin | G Major | 1 | 9B | 161 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: III. Largo | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | D♭ Major | 0 | 3B | 117 BPM | ||
Trio Sonata No. 1 in G Major: I. Moderato | Domenico Gallo, London Baroque | E Major | 1 | 12B | 106 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Overture No. 6 in B-Flat Major: IV. Menuett | Francesco Maria Veracini, Arte dell'Arco, Federico Guglielmo | A Major | 1 | 11B | 73 BPM | ||
Sonata in C Minor, GWV AvV:20:: I. Adagio e mesto | Johann Gottlieb Graun, Georgina McKay Lodge, Eva Lymenstull, David Schulenberg, Augusta McKay Lodge | D♭ Minor | 2 | 12A | 129 BPM | ||
Ouvertures and Trio Sonatas, Op. 13, Sonata No. 2 in B Minor: III. Largo | Jean-Marie Leclair, Lucile Boulanger, Simon Pierre, Olivier Fortin | F♯ Major | 1 | 2B | 98 BPM | ||
Concerto in D Major, Op. 6 No. 12: II. Largo tempo giusto | Charles Avison, Café Zimmermann | B Major | 5 | 1B | 101 BPM | ||
Kommt, eilet und laufet (Easter Oratorio), BWV 249: 1a. Adagio | Johann Sebastian Bach, Orchestra of the Age of Enlightenment, Gustav Leonhardt | A♭ Major | 2 | 4B | 126 BPM |
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