"Die Seejungfrau: 1. Sehr mässig bewegt" by Alexander von Zemlinsky, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly was released on January 1, 1995. Die Seejungfrau: 1. Sehr mässig bewegt appears to be safe for all ages as it is not explicit. This song is part of Zemlinsky: Die Seejungfrau/Psalms Nos.13 & 23 by Alexander von Zemlinsky, Ernst Senff Chamber Choir, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly. The song's track number on the album is #1 out of 5 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Die Seejungfrau: 1. Sehr mässig bewegt is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Die Seejungfrau: 1. Sehr mässig bewegt by Alexander von Zemlinsky, Deutsches Symphonie-Orchester Berlin, Riccardo Chailly has a tempo of 78 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Seejungfrau: 1. Sehr mässig bewegt being at 78 BPM, the half-time would be 39 BPM with a double-time of 156 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70: Part I: Introduction - so wahr der Herr, der Gott Israels, lebt (Rec.) | Felix Mendelssohn, Karl-Friedrich Beringer | C Major | 1 | 8B | 104 BPM | ||
Golgotha, Première Partie: II. Les Rameaux | Frank Martin, Judith Gauthier, Marianne Beate Kielland, Adrian Thompson, Mattijs van de Woerd, Konstantin Wolf, Daniel Reuss, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir, Cappella Amsterdam | B♭ Major | 0 | 6B | 78 BPM | ||
Symphony No. 9: IIc. Tempo III - Live | Gustav Mahler, Verbier Festival Orchestra, Daniel Harding | D♭ Major | 0 | 3B | 79 BPM | ||
Laue Sommernacht - Vocal | Alma Mahler, Angelika Kirchschlager | C Minor | 3 | 5A | 133 BPM | ||
Symphony No. 1: III. Intermezzo | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | E Major | 4 | 12B | 163 BPM | ||
Te Deum, WAB 45: IV. Salvum fac populum tuum | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
Kaddish: Part II, The Holocaust: What a Beautiful Place You Have Here | Lawrence Siegel, Maria Jette, Krista J. Palmquist, Anders Eckman, James Bohn, VocalEssence Chorus, VocalEssence Ensemble Singers, Philip Brunelle | A Major | 1 | 11B | 0 BPM | ||
A Florentine Tragedy, Op. 16: Und jetzt du dir! | Alexander von Zemlinsky, Vladimir Jurowski, London Philharmonic Orchestra, Heike Wessels, Albert Dohmen, Sergey Skorokhodov | A Major | 2 | 11B | 116 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Raymonda, Act III: Variation for female dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | B Major | 0 | 1B | 76 BPM |
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