Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev's 'Carmen Suite after Bizet's Opera: 5. Carmen's Entrance and Habanera' came out on January 1, 2001. The duration of Carmen Suite after Bizet's Opera: 5. Carmen's Entrance and Habanera is about 3 minutes long, at 3:10. Based on our data, "Carmen Suite after Bizet's Opera: 5. Carmen's Entrance and Habanera" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Shchedrin: Carmen Suite; Naughty Limericks; The Chimes". In this album, this song's track order is #5. Based on our statistics, Carmen Suite after Bizet's Opera: 5. Carmen's Entrance and Habanera's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carmen Suite after Bizet's Opera: 5. Carmen's Entrance and Habanera by Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus) | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | D Major | 2 | 10B | 110 BPM | ||
Carmen Suite after Bizet's Opera: 10.Torero and Carmen | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | C Minor | 0 | 5A | 92 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal: Allegro non troppo | Hector Berlioz, Slovak Radio Symphony Orchestra, Pinchas Steinberg | C Major | 1 | 8B | 118 BPM | ||
The Comedians - Suite, Op.26: Waltz | Dmitry Kabalevsky, Armenian Philharmonic Orchestra, Loris Tjeknavorian | D♭ Major | 1 | 3B | 163 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 130 BPM | ||
Carmen Suite after Bizet's Opera: 1. Introduction | Rodion Shchedrin, Russian National Orchestra, Mikhail Pletnev | D♭ Major | 0 | 3B | 91 BPM | ||
Zapateado Op. 23 | Pablo de Sarasate, Sarah Chang, Charles Abramovic | A Major | 3 | 11B | 113 BPM | ||
Gayane Suite No. 2: II. Dance of the Girls | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | C Minor | 1 | 5A | 178 BPM |
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