- BPM
- 74
- Key
- A♭ Major
- Camelot
- 4B
Concerto for Piano and Orchestra: 1. ca. 110 - Witold Lutosławski, Krystian Zimerman, BBC Symphony Orchestra Information
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 14%
- Instrumentalness
- 67%
- Liveness
- 20%
- Loudness
- 66%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -20.222 dB
Summary
"Concerto for Piano and Orchestra: 1. ca. 110" by Witold Lutosławski, Krystian Zimerman, BBC Symphony Orchestra was released on January 1, 1992. Concerto for Piano and Orchestra: 1. ca. 110 is about six minutes long, preciously at 5:38, making this song fairly long compared to other songs. The track order of this song in Witold Lutosławski, Krystian Zimerman, BBC Symphony Orchestra's "Lutoslawski: Piano Concerto" album is number 1 out of 12. On top of that, Germany appears to be the country where this track was created. Concerto for Piano and Orchestra: 1. ca. 110 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Concerto for Piano and Orchestra: 1. ca. 110 BPM
We consider the tempo marking of Concerto for Piano and Orchestra: 1. ca. 110 by Witold Lutosławski, Krystian Zimerman, BBC Symphony Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Concerto for Piano and Orchestra: 1. ca. 110 Key
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Capriol Suite: III. Tordion | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | D Minor | 2 | 7A | 90 BPM | |
 | Divertimento for Strings, BB 118 (Sz.113): I. Allegro non troppo | Béla Bartók, Orpheus Chamber Orchestra | B♭ Major | 1 | 6B | 105 BPM | |
 | Piano Concerto in G Major, M. 83: 1. Allegramente | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | D Major | 1 | 10B | 129 BPM | |
 | Four Scenes of Childhood: IV. Bedtime Story "The Fairy Princess" | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | |
 | Novelletten, H. 44: I. Andante moderato | Frank Bridge, Esmé Quartet | E Major | 5 | 12B | 72 BPM | |
 | Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, Budapest Strings, Karoly Botvay | G Major | 2 | 9B | 144 BPM | |
 | Violin Concerto: III. Passacaglia. Andante - Moderato - Più allegro - Allegro vivace - Subito presto - a tempo, minacciando - Allegro molto - Adagio - Più adagio - Ancora meno mosso | Steve Elcock, Zoë Beyers, Kenneth Woods, English Symphony Orchestra | B Major | 0 | 1B | 124 BPM | |
 | Ravel: Ma mère l'oye, M. 60: I. Pavane de la Belle au bois dormant | Maurice Ravel, Rotterdam Philharmonic Orchestra/Yannick Nézet-Séguin, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra | A Minor | 0 | 8A | 65 BPM | |
 | Respighi: Trittico botticelliano: I. La Primavera | Ottorino Respighi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 2 | 11B | 137 BPM | |
| Hexapoda: No. 3, Betty and Harold Close Their Eyes | Robert Russell Bennett, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM |
- ISRC
- DEF058904511
- Label
- L-M Records/RCA Records
Section: 0.8477945327758789
End: 0.8516709804534912