"Oboe Concerto, H. 353: I. Moderato" by Bohuslav Martinů, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss Jansons was released on September 29, 2009. With this song being about 5 minutes long, at 4:45, "Oboe Concerto, H. 353: I. Moderato" by Bohuslav Martinů, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss Jansons is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Stefan Schilli, Mariss Jansons's "Martinu, B. / Zimmermann, B.A. / Strauss, R.: Oboe Concertos" album is number 1 out of 10. In terms of popularity, Oboe Concerto, H. 353: I. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Oboe Concerto, H. 353: I. Moderato by Bohuslav Martinů, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss Jansons to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Trio: II. Scherzo - Vivo | Jean Françaix, Lendvai String Trio | G Major | 1 | 9B | 120 BPM | ||
Loutky, H. 137: No. 4. Pohadka (Fairy-tale) | Bohuslav Martinů, Giorgio Koukl | D Major | 0 | 10B | 130 BPM | ||
Notre Dame, Op. 2: Intermezzo. Mäßig schnell, aber ungleich und stellenweise stockend | Franz Schmidt, Jonathan Berman, BBC National Orchestra Of Wales | B♭ Major | 1 | 6B | 91 BPM | ||
Concerto for String Orchestra: III. Vivo | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | D Minor | 3 | 7A | 113 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Variation 2: Poco agitato | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | F Major | 1 | 7B | 176 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Prelude a l'apres-midi d'un faune (feat. Andrew Davis) | Jeanne Baxtresser | A♭ Minor | 2 | 1A | 169 BPM |
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