"Schubert: Ave Maria, Op. 52 No. 6, D. 839" by Franz Schubert, Barbara Bonney, Geoffrey Parsons was released on January 1, 1994. Schubert: Ave Maria, Op. 52 No. 6, D. 839 is about six minutes long, preciously at 6:19, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Schubert: Ave Maria, Die Forelle, Heidenröslein & Other Lieder". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. The popularity of Schubert: Ave Maria, Op. 52 No. 6, D. 839 is currently average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schubert: Ave Maria, Op. 52 No. 6, D. 839 by Franz Schubert, Barbara Bonney, Geoffrey Parsons having a BPM of 176 with a half-time of 88 BPM and a double-time of 352 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Liebestraume, S541/R211 : No. 3: Nocturne in A-Flat Major | Franz Liszt, Jenő Jandó | A♭ Major | 0 | 4B | 60 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Wiegenlied, Op.49, No.4 | Johannes Brahms, Mischa Maisky, Pavel Gililov | F Major | 0 | 7B | 82 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Schwanensee, Op. 20: Act II No. 10: Scene | Pyotr Ilyich Tchaikovsky, Russian State Symphony Orchestra, Dmitry Yablonsky | E Minor | 2 | 9A | 87 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus | F Major | 2 | 7B | 98 BPM | ||
Lakmé: Blumenduett (Lara Croft Tomb Raider): Lakme, Act I: Dome epais, "Flower Duet" | Léo Delibes, Adriana Kohútková, Denisa Šlepkovská, Slovak Radio Symphony Orchestra, Johannes Wildner | B Major | 0 | 1B | 83 BPM | ||
Serenade (Ständchen, D. 957) | Franz Schubert, James Galway, Phillip Moll | D Major | 0 | 10B | 134 BPM | ||
3 Pieces in Baroque Style: No. 1. Aria | Krzysztof Penderecki, Sinfonia Varsovia | B♭ Major | 0 | 6B | 76 BPM |
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