"Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 11, Arrival of Clara and the Nutcracker" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle was released on October 11, 2010. With this song being about 5 minutes long, at 4:57, "Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 11, Arrival of Clara and the Nutcracker" by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 24 in the song's album "Tchaikovsky: The Nutcracker". In this album, this song's track order is #2. Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 11, Arrival of Clara and the Nutcracker is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Nutcracker, Op. 71, Act II: No. 11, Arrival of Clara and the Nutcracker by Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Sir Simon Rattle having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Papa Elf | John Debney | A Major | 1 | 11B | 86 BPM | ||
Ave Maria | Giulio Caccini, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | E Minor | 1 | 9A | 170 BPM | ||
Prélude à l'après-midi d'un faune | Claude Debussy, Berliner Philharmoniker, Claudio Abbado, Emmanuel Pahud | A♭ Minor | 0 | 1A | 84 BPM | ||
Santa Baby (with Henri René & His Orchestra) | Eartha Kitt, Henri Rene & His Orchestra | A♭ Major | 1 | 4B | 84 BPM | ||
Traditional: Il est né le divin enfant | Traditional, Maurice André, Nicolas André, Beatrice Andre, Michel Legrand, London Philharmonic Orchestra | E Major | 1 | 12B | 79 BPM | ||
Winter Wonderland | Dean Martin | C Major | 2 | 8B | 129 BPM | ||
Peer Gynt Suite No.1, Op.46: 4. In The Hall Of The Mountain King | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 92 BPM | ||
Christmas Medley | John Debney | C Major | 3 | 8B | 92 BPM | ||
Messiah: Part I, No 6. But Who May Abide the Day of His Coming? | George Frideric Handel, London Symphony Orchestra, Sara Mingardo, Sir Colin Davis | D Minor | 1 | 7A | 176 BPM | ||
White Christmas | Irving Berlin, Boston Pops Orchestra, Arthur Fiedler | C Major | 1 | 8B | 64 BPM |
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