Danse macabre, Op. 40 - Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra Strings, James DePreist Information

Acousticness: 85%
Danceability: 27%
Energy: 11%
Instrumentalness: 55%
Liveness: 8%
Loudness: 60%
Speechiness: 4%
Valence: 6%
Popularity: 47%
Loudness: -23.701 dB

Summary

"Danse macabre, Op. 40" by Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra Strings, James DePreist was released on October 31, 1992. Since Danse macabre, Op. 40 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Saint-Saens: Symphony No. 3 / Dance Macabre / Bacchanale / 3 Rhapsodies". In this album, this song's track order is #4. Danse macabre, Op. 40 is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Danse macabre, Op. 40 BPM

With Danse macabre, Op. 40 by Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra Strings, James DePreist having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Danse macabre, Op. 40 Key

G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Orpheo ed Euridice, Wq. 30, Act II: Dance of the Blessed Spirits	Christoph Willibald Gluck, Eugene Ormandy, Philadelphia Orchestra	D Minor	1	7A	67 BPM
Appalachian Spring: VII. Doppio movimento	Aaron Copland, Leonard Bernstein, New York Philharmonic	D♭ Major	1	3B	78 BPM
Concerto For 2 Mandolins, Strings And Continuo In G, RV 532: 3. Allegro	Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock	D♭ Major	2	3B	144 BPM
Carnival of the Animals, R. 125: The Cuckoo in the Heart of the Woods	Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma	E Major	0	12B	59 BPM
Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto	Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux	C Minor	1	5A	75 BPM
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto	Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin	B Minor	1	10A	102 BPM
Grieg: Peer Gynt, Op. 23, Act 4: Prelude. Morning Mood	Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner	E Major	0	12B	137 BPM
Sonata for Violin and Piano in A Major: Allegretto ben moderato	César Franck, Ray Chen	A Major	0	11B	60 BPM
Samson et Dalila, Op. 47: Act III: Bacchanale	Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier	D Minor	0	7A	101 BPM
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino	Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly	B♭ Major	1	6B	172 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.6527345180511475

End: 0.656665563583374