Wolfgang Amadeus Mozart, Mojca Erdmann, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin's 'Così fan tutte, K. 588 / Act I: "Signora Dorabella"' came out on January 1, 2013. The duration of Così fan tutte, K. 588 / Act I: "Signora Dorabella" is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Così fan tutte, K. 588 / Act I: "Signora Dorabella"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sam Cooke, Joy Denalane, Daniel Hope, Sylvia Thereza, Francesco Tristano, Wolfgang Amadeus Mozart, Miah Persson, Angela Brower, Adam Plachetka, Rolando Villazón, Mojca Erdmann, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin's "Mozart: Così fan tutte" album is number 25 out of 64. On top of that, Germany appears to be the country where this track was created. Così fan tutte, K. 588 / Act I: "Signora Dorabella" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Così fan tutte, K. 588 / Act I: "Signora Dorabella" by Wolfgang Amadeus Mozart, Mojca Erdmann, Angela Brower, Miah Persson, Chamber Orchestra of Europe, Yannick Nézet-Séguin to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Norma (1997 Digital Remaster), ACT 1, Scene 1: Odi?... I suoi riti a compiere (Flavio/Coro/Pollione) | Vincenzo Bellini, Piero de Palma, Franco Corelli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan | E♭ Major | 2 | 5B | 129 BPM | ||
Die Zauberflöte, K.620, Act II: Tamino, wollen wir nicht speisen? (Papageno, Pamina) | Wolfgang Amadeus Mozart, Lucia Popp, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | E♭ Major | 2 | 5B | 109 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
La Cenerentola / Act 1: "Ora sono da voi" | Gioachino Rossini, Alessandro Corbelli, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 2 | 8B | 101 BPM | ||
Il Barbiere di Siviglia: Oh cielo | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | D Major | 1 | 10B | 93 BPM | ||
La traviata / Act 2: Alfredo! Voi!...Or tutti a me...Ogni suo aver | Giuseppe Verdi, Luciano Pavarotti, Della Jones, Dame Joan Sutherland, Jonathan Summers, Alexander Oliver, David Wilson-Johnson, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | F Minor | 3 | 4A | 77 BPM | ||
Lucia di Lammermoor / Act 3: "Qui del padre ancor respira" | Gaetano Donizetti, Luciano Pavarotti, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Otello / Act 1: "Vanne! la tua meta già vedo" - "Credo in un Dio cru- del" | Giuseppe Verdi, Bryn Terfel, Swedish Radio Symphony Orchestra, Paul Daniel | D♭ Major | 2 | 3B | 79 BPM | ||
Symphony No. 2 In B Flat, Op. 52, MWV A 18 - "Hymn Of Praise": 6. Allegro un poco agitato "Stricke des Todes hatten uns umfangen" - "Die Nacht ist vergangen" - Live | Felix Mendelssohn, Karina Gauvin, Daniel Behle, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 1 | 8B | 77 BPM | ||
Die Zauberflöte, K.620, Act II: Tamino! Tamino! Willst du mich denn gänzlich verlassen? (Papageno, Zweiter Priester) | Wolfgang Amadeus Mozart, Waldemar Kmentt/Erich Kunz/Wolfgang Brendel/Symphonieorchester des Bayerischen Rundfunks/Bernard Haitink, Bernard Haitink, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra | F Major | 1 | 7B | 85 BPM |
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