"Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis]" by Johann Sebastian Bach, Yolanda Kondonassis was released on November 21, 2023. The duration of Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis] is about 3 minutes long, at 3:15. Based on our data, "Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis]" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Winter Classical by Various Artists. The song's track number on the album is #11 out of 91 tracks. Based on our data, United States was the country where this track was produced or recorded. Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis] is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis] by Johann Sebastian Bach, Yolanda Kondonassis has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Cantata, BWV 156: I. Sinfonia (Arioso) [Transcr. Y. Kondonassis] being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Brandenburg Concerto No. 1 in F, BWV 1046: 3. Allegro - Live From Teatro Romolo Valli, Reggio Emilia, Italy/2007 | Johann Sebastian Bach, Victor Aviat, Lucas Macias Navarro, Guido Gualandi, Giuliano Carmignola, Orchestra Mozart, Claudio Abbado | G Major | 1 | 9B | 72 BPM | ||
Fantasie g-Moll "duobus subjectis" BWV 917 | Inge Rosar, Johann Sebastian Bach | A Minor | 3 | 8A | 64 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Sonata a 5 in G Minor, Op. 2, No. 6: IV. Allegro | Tomaso Albinoni, Capella Istropolitana, Jaroslav Krcek | G Minor | 3 | 6A | 59 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Symphony in F Major, J-C 36: III. Allegro assai | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | E Major | 3 | 12B | 126 BPM | ||
Sonata in G Major, K 13 (L 486) | Domenico Scarlatti, Glenn Gould | G Major | 3 | 9B | 101 BPM |