"Adagio for Strings, Op. 11 - Live" by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner was released on 1976. Since Adagio for Strings, Op. 11 - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. Because this song is the only song in Barber: Adagio For Strings and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Adagio for Strings, Op. 11 - Live is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Adagio for Strings, Op. 11 - Live by Samuel Barber, Academy of St. Martin in the Fields, Sir Neville Marriner is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Copland: Appalachian Spring: VII. Doppio movimento (Variations on a Shaker Hymn - Simple Gifts) | Aaron Copland, Aurora Orchestra, Nicholas Collon | D♭ Major | 1 | 3B | 82 BPM | ||
Barber: Agnus Dei, Op. 11 (Barber Adagio) [Excerpt] | Samuel Barber, Edward Higginbottom, Choir of New College, Oxford | B♭ Minor | 1 | 3A | 133 BPM | ||
Pur ti Miro from 'L'incoronazione di Poppea | Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | A Major | 0 | 11B | 95 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 115 BPM | ||
Deh, vieni alla finestra | Dawid Kimberg | D Major | 0 | 10B | 69 BPM | ||
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
The Planets, Op. 32: 4. Jupiter, the Bringer of Jollity | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | G Minor | 2 | 6A | 136 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: II. Ostinato | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 1 | 9B | 182 BPM | ||
Piano Concerto No. 6: II. Larghetto | John Field, Matthias Bamert, London Mozart Players, Miceal O'Rourke | E Major | 0 | 12B | 79 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Carlos Bonell, Orchestre Symphonique de Montréal, Charles Dutoit | B Minor | 0 | 10A | 77 BPM |
Section: 0.8143391609191895
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