Dominick Argento, Barbara Bonney, André Previn made "Six Elizabethan Songs: 5. Diaphenia (Henry Constable)" available on January 1, 1997. With Six Elizabethan Songs: 5. Diaphenia (Henry Constable) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 18 out of 30 in American Songs by Barbara Bonney, André Previn. Six Elizabethan Songs: 5. Diaphenia (Henry Constable) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Six Elizabethan Songs: 5. Diaphenia (Henry Constable) by Dominick Argento, Barbara Bonney, André Previn is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sept mélodies, Op. 2: II. Le charme | Ernest Chausson, Véronique Gens, Susan Manoff | F Major | 1 | 7B | 118 BPM | ||
La mi sola, Laureola… | Maria Bayo, J.A. Alvarez-Parejo | A Major | 0 | 11B | 167 BPM | ||
Hermit Songs Op.29: 5. The Crucifixion | Samuel Barber, Barbara Bonney, André Previn | A Minor | 0 | 8A | 162 BPM | ||
Shir | Paolo Spoladore | E Major | 2 | 12B | 129 BPM | ||
Delage: 4 poèmes hindous: III. Bénarès | Maurice Delage, Sabine Devieilhe, François-Xavier Roth, Les Siècles | A Minor | 1 | 8A | 64 BPM | ||
Études Latines: "Phyllis" | Reynaldo Hahn, Susan Graham | E♭ Major | 0 | 5B | 80 BPM | ||
Si mes vers avaient des ailes | Reynaldo Hahn, Ailyn Perez, Iain Burnside | E Major | 1 | 12B | 78 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The Lord shall reign for ever and ever I (Chorus) - Recitative: For the horse of Pharaoh went in (Tenor) - The Lord shall reign for ever and ever II (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Matthäus-Passion, SWV 479: Introitus: "Das Leiden unseres Herren Jesu Christi" - Remastered | Heinrich Schütz, Dresdner Kreuzchor, Peter Schreier, Martin Flämig | C Major | 1 | 8B | 107 BPM |
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