- BPM
- 63
- Key
- B Minor
- Camelot
- 10A
Prélude, choral et fugue, M. 21: I. Prelude - César Franck, Murray Perahia Information
- Acousticness
- 99%
- Danceability
- 18%
- Energy
- 2%
- Instrumentalness
- 90%
- Liveness
- 8%
- Loudness
- 51%
- Speechiness
- 4%
- Valence
- 5%
- Popularity
- 20%
- Loudness
- -29.165 dB
Summary
"Prélude, choral et fugue, M. 21: I. Prelude" by César Franck, Murray Perahia was released on August 9, 1991. With this song being about 5 minutes long, at 4:37, "Prélude, choral et fugue, M. 21: I. Prelude" by César Franck, Murray Perahia is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Murray Perahia's "Murray Perahia Plays Franck & Liszt" album is number 1 out of 9. Prélude, choral et fugue, M. 21: I. Prelude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Prélude, choral et fugue, M. 21: I. Prelude BPM
We consider the tempo marking of Prélude, choral et fugue, M. 21: I. Prelude by César Franck, Murray Perahia to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Prélude, choral et fugue, M. 21: I. Prelude Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Gaspard de la nuit, M. 55: I. Ondine | Maurice Ravel, Ivo Pogorelich | D♭ Major | 0 | 3B | 67 BPM | |
 | Keyboard Sonata in E Major, K. 380: Andante commodo | Domenico Scarlatti, Ivo Pogorelich | B Major | 0 | 1B | 88 BPM | |
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | 3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | |
 | 3 Romances sans paroles, Op. 17: No. 3 in A-Flat Major (Arr. P. Gouin for Cello & Piano) | Gabriel Fauré, Jesper Svedberg, Simon Crawford-Phillips | A Major | 0 | 11B | 79 BPM | |
 | Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | |
 | Franck: Cello Sonata in A Major, FWV 8: I. Allegretto ben moderato | César Franck, Gautier Capuçon, Yuja Wang | F♯ Minor | 0 | 11A | 73 BPM | |
 | Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | |
 | 10 Pieces, Op. 12: No. 7. Prelude | Sergei Prokofiev, Olli Mustonen | C Major | 1 | 8B | 77 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6932802200317383
End: 0.6976649761199951