Unforgotten by Martin O'Donnell, Michael Salvatori

Song Analysis

Audio information that is featured on Unforgotten by Martin O'Donnell, Michael Salvatori.

















Harmonic Matches

Find songs that harmonically matches to Unforgotten by Martin O'Donnell, Michael Salvatori. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Epilogue by Martin O'Donnell, Michael SalvatoriEpilogueMartin O'Donnell, Michael SalvatoriE♭ Major15B68
Unforgotten Memories by Paul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee WhiteUnforgotten MemoriesPaul Lipson, Lennie Moore, Tom Salta, Brian Trifon, Brian Lee WhiteE♭ Major15B80
Heavy Rain by Normand Corbeil, La Pietà, Angèle DubeauHeavy RainNormand Corbeil, La Pietà, Angèle DubeauE♭ Major15B78
Dogs of War: Main Title by Christopher LennertzDogs of War: Main TitleChristopher LennertzE♭ Major25B77
Dearly Beloved (Kingdom Hearts) by Taylor DavisDearly Beloved (Kingdom Hearts)Taylor DavisE♭ Major25B178
Never Forget by Martin O'Donnell, Michael SalvatoriNever ForgetMartin O'Donnell, Michael SalvatoriE♭ Major15B86
Mother, I'm Here (Zulf's Theme) by Darren KorbMother, I'm Here (Zulf's Theme)Darren KorbE♭ Major25B101
A Theme For Kjell by Johan Skugge, Jukka RintamäkiA Theme For KjellJohan Skugge, Jukka RintamäkiC Minor45A208
Assassins Creed Theme by Lorne BalfeAssassins Creed ThemeLorne BalfeC Minor45A100
Uncharted Worlds by Sam Hulick, EA Games SoundtrackUncharted WorldsSam Hulick, EA Games SoundtrackC Minor35A120
Setting Sail, Coming Home (End Theme) by Darren KorbSetting Sail, Coming Home (End Theme)Darren KorbC Minor85A120
Arrival to Earth by Steve JablonskyArrival to EarthSteve JablonskyC Minor45A79
Battle of the Heroes by John Williams, London Symphony OrchestraBattle of the HeroesJohn Williams, London Symphony OrchestraC Minor35A90
Fallout 3: Theme by Inon Zur, Andrew Skeet, London Philharmonic OrchestraFallout 3: ThemeInon Zur, Andrew Skeet, London Philharmonic OrchestraC Minor25A124
It's Our Fight (From It's Our Fight (From "Transformers 3")London Music WorksC Minor55A97
Elder Scrolls III - Morrowind by The New York Synthony OrchestraElder Scrolls III - MorrowindThe New York Synthony OrchestraC Minor45A86
Ssj3 Power Up by Bruce FaulconerSsj3 Power UpBruce FaulconerC Minor65A145
Dearly Beloved by TPRDearly BelovedTPRC Minor05A63
Soviet Connection — The Theme from Grand Theft Auto IV by Michael HunterSoviet Connection — The Theme from Grand Theft Auto IVMichael HunterC Minor65A146
Brothers In Arms by Junkie XLBrothers In ArmsJunkie XLC Minor95A80
Black Mesa Theme by Joel NielsenBlack Mesa ThemeJoel NielsenC Minor35A134

Unforgotten by Martin O'Donnell, Michael Salvatori Information

This song is track #6 in Halo 2, Vol. 2 (Original Soundtrack) by Martin O'Donnell, Michael Salvatori, which has a total of 12 tracks. The duration of this track is 2:11 and was released on April 25, 2006. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Unforgotten might be one of them, due to it's low energy and danceability.

Unforgotten BPM

Unforgotten has a BPM of 86. Since this track has a tempo of 86, the tempo markings of this song would be Andante (at a walking pace). Based on the tempo, this track could possibly be a great song to play while you are doing yoga or pilates. Overall, we believe that this song has a slow tempo.

Unforgotten Key

The key of Unforgotten is E♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

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