"Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: V. Un peu vif" by Erik Satie, Alexandre Tharaud was released on January 20, 2009. With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: V. Un peu vif being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #22. In terms of popularity, Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: V. Un peu vif is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Piège de Méduse, Sept pièces pour piano: Le Piège de Méduse, Sept pièces pour piano: V. Un peu vif by Erik Satie, Alexandre Tharaud having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Sonata No. 1 in D Minor, Op. 109: II. Andante | Gabriel Fauré, Ina-Esther Joost Ben-Sasson, Allan Sternfield | E♭ Major | 1 | 5B | 120 BPM | ||
Gymnopédie No. 1 | Erik Satie, Reinbert de Leeuw | G Major | 0 | 9B | 88 BPM | ||
Adieu Nocturne No. 1 in A Minor -Adieu- | Carlos Marquez | A Minor | 1 | 8A | 99 BPM | ||
The Arts and the Hours | Jean-Philippe Rameau, Víkingur Ólafsson | D♭ Major | 0 | 3B | 136 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
3 Gnossiennes: Gnossienne No. 1 (arr. N. Gotz for clarinet and piano): Gnossiene No. 1 (arr. for clarinet and piano) | Nandor Gotz, Erik Satie, Balazs Szokolay | F Minor | 0 | 4A | 109 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Jorge Federico Osorio | F♯ Minor | 0 | 11A | 75 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
15 Improvisations, FP 170: No. 13 in A Minor | Francis Poulenc, Lucille Chung | C Major | 0 | 8B | 72 BPM |
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