"Turandot / Act 3: Nessun dorma!" by Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta was released on September 1, 1973. Since Turandot / Act 3: Nessun dorma! is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Puccini: Turandot". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Turandot / Act 3: Nessun dorma! is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Turandot / Act 3: Nessun dorma! by Giacomo Puccini, Luciano Pavarotti, Tom Krause, Pier Francesco Poli, Piero de Palma, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
La mamma morta (From the Opera "Andrea Chenier") | Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | D Major | 1 | 10B | 73 BPM | ||
Stabat Mater: 12. Quando corpus - Amen | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, Leslie Pearson, London Symphony Orchestra, Claudio Abbado | B♭ Minor | 1 | 3A | 121 BPM | ||
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
Fauré: Pavane, Op. 50 (Version with Chorus) | Gabriel Fauré, Daniel Barenboim, Edinburgh Festival Chorus, Orchestre de Paris | G Major | 0 | 9B | 62 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | C Major | 3 | 8B | 93 BPM | ||
" La Traviata " : Amami Alfredo (Act II) - Digitally Remastered | Maria Callas | F Major | 3 | 7B | 86 BPM | ||
La traviata / Act 1: Libiamo ne'lieti calici | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | B♭ Major | 2 | 6B | 110 BPM | ||
Andrea Chenier (1997 Digital Remaster): La mamma morta | Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 1 | 10B | 79 BPM | ||
Tosca / Act 3: "E lucevan le stelle" | Giacomo Puccini, Jonas Kaufmann, Prague Philharmonic Orchestra, Marco Armiliato | B Minor | 2 | 10A | 90 BPM |
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