"Requiem: I. Introit" by Kerensa Briggs, Anita Montserrat, Richard Gowers, The Choir of King's College London, Joseph Fort was released on May 26, 2023. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Kerensa Briggs, The Choir of King's College London, Joseph Fort's "Kerensa Briggs: Requiem" album is number 1 out of 14. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Requiem: I. Introit's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem: I. Introit by Kerensa Briggs, Anita Montserrat, Richard Gowers, The Choir of King's College London, Joseph Fort to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
A Prayer | Richard Harvey, Estonian Philharmonic Chamber Choir, Heli Jürgenson | A Major | 1 | 11B | 82 BPM | ||
O Rubor Sanguinis: Antienne | Hildegard von Bingen, Brigitte Lesne, Discantus | F Major | 0 | 7B | 75 BPM | ||
Ave Maria, Virgo Serena | Josquin des Prez, Stile Antico | C Major | 1 | 8B | 71 BPM | ||
Offertory: Optimam partem elegit | William Byrd, Stile Antico | C Minor | 1 | 5A | 149 BPM | ||
Grain Moon | Olivia Belli, Anna Lapwood | D♭ Major | 0 | 3B | 63 BPM | ||
Threnos | John Tavener, Natalie Clein | F Major | 0 | 7B | 104 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
3 Pieces in Old Style: No. 1. Aria | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | G Minor | 0 | 6A | 85 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Sonata Op.5, No.10: Sarabanda | Arcangelo Corelli, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 86 BPM |
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