Harrison Birtwistle, London Sinfonietta, David Atherton's 'Virelai (Sus une fontayne)' came out on July 3, 2015. With this song being around four minutes long, at 3:55, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 3 in Birtwistle: Angel Fighter, In Broken Images & Virelai (Sus une fontayne) by Harrison Birtwistle, London Sinfonietta, David Atherton. Virelai (Sus une fontayne) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Virelai (Sus une fontayne) by Harrison Birtwistle, London Sinfonietta, David Atherton is Lento (slowly), since this song has a tempo of 51 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Como una ola de fuerza y luz: 1. Interno dolce | Luigi Nono, Slavka Taskova, Maurizio Pollini, Bavarian Radio Symphony Orchestra, Claudio Abbado | A Major | 0 | 11B | 84 BPM | ||
The Mask of Orpheus, Act II Scene 2: 13th Arch | Harrison Birtwistle, BBC Symphony Orchestra, Andrew Davis | D Minor | 3 | 7A | 120 BPM | ||
Images - for Orchestra | David Joseph, Dobbs Franks, Adelaide Symphony Orchestra | D♭ Major | 4 | 3B | 80 BPM | ||
Entr'actes and Sappho Fragments: 1 | Harrison Birtwistle, Nash Ensemble, Martyn Brabbins | D♭ Major | 0 | 3B | 68 BPM | ||
Katya Kabanova, JW I/8, Act II Scene 2: Introduction | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra | A♭ Major | 0 | 4B | 79 BPM | ||
To Be Certain of the Dawn: Part II: Remembrance: Third Blessing (soprano, children's chorus) | Stephen Paulus, Barry Abelson, Elizabeth Futral, Christina Baldwin, John Tessier, Philip Cokorinos, Minnesota Boychoir, Minnesota Chorale, Basilica Cathedral Choir, Cathedral Choristers, Minnesota Orchestra, Osmo Vänskä | F Minor | 0 | 4A | 0 BPM | ||
Jeux vénitiens, Pt. 1 | Witold Lutosławski, Finnish Radio Symphony Orchestra, Hannu Lintu | F♯ Minor | 1 | 11A | 123 BPM | ||
Blå Skygge - Blue Shadow: Preludium | Yngve Slettholm, Vegard Landaas, Sidsel | D♭ Major | 0 | 3B | 150 BPM | ||
Ave verum (Improvisation à l'orgue) | Thierry Mechler | F♯ Major | 0 | 2B | 132 BPM | ||
Valses nobles et sentimentales, M.61 - for Orchestra: 3. Modéré | Maurice Ravel, Cleveland Orchestra, Vladimir Ashkenazy | A Major | 1 | 11B | 110 BPM |
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