"Ave María (De Giulio Caccini)" by Giulio Caccini was released on October 25, 2011. Ave María (De Giulio Caccini) is about six minutes long, preciously at 6:03, making this song fairly long compared to other songs. The track order of this song in Begoña Alberdi's "Mater" album is number 1 out of 9. Ave María (De Giulio Caccini) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ave María (De Giulio Caccini) by Giulio Caccini to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Credo RV 592 Crucifixus | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux, Philippe Jaroussky | E Minor | 1 | 9A | 169 BPM | ||
Concierto de Aranjuez: II. Adagio [Excerpt] | Joaquín Rodrigo, Julian Bream, John Eliot Gardiner, Chamber Orchestra of Europe | B Minor | 0 | 10A | 76 BPM | ||
Au Fond Du Temple Saint | IZZY | C Major | 3 | 8B | 79 BPM | ||
Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | E Minor | 0 | 9A | 83 BPM | ||
Ave Maria, Op. 52 No. 6, D. 839 (Arr. for Soprano, Harp & Chorus) | The Cathedral Singers, Lorelei McDermott, Stephen Hartman | B♭ Major | 1 | 6B | 91 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM | ||
Polifemo: Alto giove (Air d'Acio) - Instrumental Version | Christophe Rousset, Les Talens Lyriques, Ewa Mallas-godlewska, Derek Lee Ragin | E♭ Minor | 0 | 2A | 141 BPM | ||
Rusalka, Op. 114, B. 203, Act I: Lieblicher Mond (Song to the Moon) | Antonín Dvořák, Emalie Savoy, Brandenburg State Orchestra Frankfurt, Matthias Foremny | F♯ Major | 1 | 2B | 63 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM | ||
Pur ti miro | Claudio Monteverdi, Elin Manahan Thomas, Robin Blaze, Alastair Ross, Siobhán Armstrong, Joseph Crouch, Eligio Quinteiro, Harry Christophers | F♯ Major | 0 | 2B | 72 BPM |
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