Maria Callas's 'Lucia di Lammermoor, Act I: Regnava nel silenzio...Quando rapito in estasi - 1997 - Remaster' came out on September 14, 2001. Since Lucia di Lammermoor, Act I: Regnava nel silenzio...Quando rapito in estasi - 1997 - Remaster is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Romantic Callas - sus mejores arias y dúos". In this album, this song's track order is #14. In terms of popularity, Lucia di Lammermoor, Act I: Regnava nel silenzio...Quando rapito in estasi - 1997 - Remaster is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lucia di Lammermoor, Act I: Regnava nel silenzio...Quando rapito in estasi - 1997 - Remaster by Maria Callas having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bellini: I Puritani, Act 2: "O, rendetemi la speme" (Elvira) | Vincenzo Bellini, Maria Callas, Arturo Basile, Orchestra Sinfonica Di Torino Della Rai | E♭ Major | 2 | 5B | 90 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Silenzio cantatore | Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Minor | 2 | 9A | 83 BPM | ||
La Bohème: Act I: O soave fanciulla | Giacomo Puccini, Plácido Domingo, Montserrat Caballé, Sherrill Milnes, Sir Georg Solti, London Philharmonic Orchestra | G Major | 1 | 9B | 83 BPM | ||
Puccini: Gianni Schicchi, Act 1: "O mio babbino caro" (Lauretta) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | A♭ Major | 1 | 4B | 75 BPM | ||
Un Bel Di Vedremo (Madame Butterfly) | Renata Tebaldi, Orchestre de la Suisse Romande | D♭ Major | 2 | 3B | 93 BPM | ||
Addio del passato (From the Opera "Traviata") - Lisbonne 1958 | Maria Callas, Orchestre Sinfónica Nacional, Franco Ghione | F Major | 1 | 7B | 165 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM |
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