"Contemplation (After Brahms' Op. 105 No. 1)" by Jascha Heifetz, Sueye Park, Love Derwinger was released on January 4, 2019. The duration of Contemplation (After Brahms' Op. 105 No. 1) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Contemplation (After Brahms' Op. 105 No. 1)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Salut d'amour". In this album, this song's track order is #13. In terms of popularity, Contemplation (After Brahms' Op. 105 No. 1) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Contemplation (After Brahms' Op. 105 No. 1) by Jascha Heifetz, Sueye Park, Love Derwinger having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade for String Trio in D Major, Op. 8: VIII. Marcia. Allegro | Ludwig van Beethoven, Jascha Heifetz | D Major | 2 | 10B | 62 BPM | ||
12 German Dances, WoO 8: No. 6 in G Major (arr. J. Heifetz for violin and piano) | Jascha Heifetz, Ludwig van Beethoven, Emmanuel Bay | D Minor | 6 | 7A | 98 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Peer Gynt, Op. 23: No. 16, Anitra's Dance | Edvard Grieg, San Francisco Symphony, Herbert Blomstedt | A Minor | 0 | 8A | 82 BPM | ||
Rostropovitch: Humoresque, Op. 5 | Mstislav Rostropovich, Edgar Moreau, Pierre-Yves Hodique | C Major | 3 | 8B | 173 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Small Concert Pieces, Op.21: No.4 Moto perpetuo | Cecil Burleigh, Jascha Heifetz, Emanuel Bay | E Minor | 7 | 9A | 181 BPM | ||
Sibelius: Violin Concerto in D Minor, Op. 47: II. Adagio di molto | Jean Sibelius, Jascha Heifetz, Sir Thomas Beecham, London Philharmonic Orchestra | G Major | 4 | 9B | 115 BPM | ||
Partita No. 1 in B Minor, BWV 1002: VII. Bourrée | Johann Sebastian Bach, Jascha Heifetz | B Minor | 1 | 10A | 97 BPM | ||
Souvenir d'un lieu cher, Op.42: 3. Mélodie In E Flat | Pyotr Ilyich Tchaikovsky, Jascha Heifetz, Emanuel Bay | G Minor | 2 | 6A | 114 BPM |
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