26 Variations on La Folia di Spagna - Antonio Salieri, London Mozart Players, Matthias Bamert Information

Acousticness: 96%
Danceability: 34%
Energy: 5%
Instrumentalness: 80%
Liveness: 8%
Loudness: 64%
Speechiness: 5%
Valence: 10%
Popularity: 1%
Loudness: -21.812 dB

Summary

"26 Variations on La Folia di Spagna" by Antonio Salieri, London Mozart Players, Matthias Bamert was released on January 1, 2001. 26 Variations on La Folia di Spagna appears to be safe for all ages as it is not explicit. There are a total of 14 in the song's album "Salieri: Sinfonias and Overtures". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, 26 Variations on La Folia di Spagna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

26 Variations on La Folia di Spagna BPM

With 26 Variations on La Folia di Spagna by Antonio Salieri, London Mozart Players, Matthias Bamert having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

26 Variations on La Folia di Spagna Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Oboe Sonata in D Major, Op. 166: I. Andantino	Camille Saint-Saëns, Allan Vogel, Bryan Pezzone	D Minor	2	7A	66 BPM
Symphony No. 3 in G Minor, Op. 36: II. Adagio cantabile	Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki	E♭ Major	0	5B	85 BPM
Ouverture in D Major, "Darmstadt": Harlequinade	Georg Philipp Telemann, Cologne Chamber Orchestra, Helmut Muller-Bruhl	D♭ Major	1	3B	174 BPM
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: I.	Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans	A♭ Minor	3	1A	93 BPM
Beethoven: Egmont, Op. 84: Overture	Ludwig van Beethoven, Kurt Masur, New York Philharmonic	A♭ Major	3	4B	106 BPM
String Quartet in E-Flat Major, Op. 2, No. 4, Ben. 310: III. Tempo di Minuetto	Ignaz Pleyel, Enso String Quartet	A Minor	1	8A	116 BPM
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Transcr. for Oboe, Solo Violin, Strings and Basso continuo)	Gottfried Heinrich Stölzel, Albrecht Mayer, Gottfried Von Der Goltz, Berliner Barock Solisten	E♭ Major	1	5B	62 BPM
Les Horaces, Acte III, Scène 5: Tandis qu'un fils victorieux	Antonio Salieri, Nicolas-François Guillard, Christophe Rousset, Judith van Wanroij, Jean-Sébastien Bou, Philippe-Nicolas Martin, Les Talens Lyriques	G Major	3	9B	100 BPM
Der Fischer und das Milchmädchen: VII. Allegretto galante	Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi	D Major	1	10B	77 BPM
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile	Franz Joseph Haydn, Alban Berg Quartett	B♭ Major	1	6B	101 BPM

ISRC: GBLWD0100302
Label: L-M Records/RCA Records

Section: 0.837202787399292

End: 0.841400146484375