"Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.9 in E major BWV854" by Daniel Barenboim was released on 2004. With Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.9 in E major BWV854 being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. Based on our statistics, Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.9 in E major BWV854's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.9 in E major BWV854 by Daniel Barenboim is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Minor is the music key of this track. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Dardanus: Menuets I-II | Jean-Philippe Rameau, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Major | 1 | 3B | 81 BPM | ||
Kinderszenen, Op. 15: VII. Träumerei | Robert Schumann, Daniel Barenboim | F Major | 0 | 7B | 71 BPM | ||
Handel: Water Music Suite No. 1, HWV 348: Air | George Frideric Handel, John Eliot Gardiner, English Baroque Soloists | E Major | 0 | 12B | 79 BPM | ||
Flute Concerto In G Minor, Op.10, No.2, RV439 - "La notte": 3. Largo | Antonio Vivaldi, Philip Pickett, New London Consort | E Major | 0 | 12B | 123 BPM | ||
Piano Sonata No. 2 In A Major, Op. 2, No. 2: 2. Largo appassionato | Ludwig van Beethoven, Daniel Barenboim | D Major | 0 | 10B | 72 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | ||
Beethoven: Piano Trio No. 6 in E-Flat Major, Op. 70 No. 2: III. Allegretto ma non troppo | Ludwig van Beethoven, Jacqueline du Pré, Pinchas Zukerman, Daniel Barenboim | A♭ Major | 1 | 4B | 140 BPM | ||
Orfeo ed Euridice, Act II: Dance of the Blessed Spirits, "Mélodie" (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | D Minor | 0 | 7A | 128 BPM | ||
Concerto Grosso In F Major, Op. 6, No. 2: II. Allegro | Arcangelo Corelli, Anna Holbling, Ludovit Kanta, Daniela Ruso, Quido Holbling, Capella Istropolitana | F Major | 3 | 7B | 140 BPM |
Section: 0.7422728538513184
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