"Trio Sonata in C Minor, FaWV N:c2: III. Largo" by Johann Friedrich Fasch, London Baroque was released on May 28, 2013. The duration of Trio Sonata in C Minor, FaWV N:c2: III. Largo is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Trio Sonata in C Minor, FaWV N:c2: III. Largo's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "The Trio Sonata in 18th-Century Germany". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. In terms of popularity, Trio Sonata in C Minor, FaWV N:c2: III. Largo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Trio Sonata in C Minor, FaWV N:c2: III. Largo by Johann Friedrich Fasch, London Baroque having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso II in D Minor, Op. 3: I. Ouverture-Largo | Pieter Hellendaal, Combattimento Consort Amsterdam, Jan Willem de Vriend | F Major | 0 | 7B | 36 BPM | ||
Concerto In D Major, Op.26, No.6: 1. Allegro | Joseph Bodin de Boismortier, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 108 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Concerto I in D Major: I. Grave - Allegro - Adagio | Francesco Geminiani, Academy of Ancient Music, Andrew Manze | D♭ Major | 1 | 3B | 75 BPM | ||
Il quarto libro de varie sonate, sinfonie, gagliarde, corrente, e brandi: Sonata No. 8 sopra La Romanesca | Giovanni Battista Buonamente, London Baroque | E Major | 1 | 12B | 101 BPM | ||
Six Sonates melees de pieces, Op. 2 No. 2, Flute Sonata in D Minor, "Le Vibray": V. Allegro | Michel Blavet, Rachel Brown, Mark Caudle, James Johnstone | C Minor | 1 | 5A | 129 BPM | ||
Sinfonia in B mayor: 3. Presto | Georg Matthias Monn, Camerata Bern, Thomas Füri | F♯ Major | 2 | 2B | 138 BPM | ||
Sinfonia Nо. 2 in do maggiore (Il battista): IV. Allegro | Antonio Caldara, Claudio Ferrarini, Accademia Farnese | D Major | 3 | 10B | 123 BPM | ||
Violin Sonata in E Major, Op. 5, No. 11 (arr. for recorder): II. Allegro | Anonymous, Arcangelo Corelli, Dan Laurin, Parnassus Avenue | E♭ Major | 1 | 5B | 134 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: III. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | B Major | 2 | 1B | 126 BPM |
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