Christophe Rousset made "Harpsichord Sonata in E flat major: II Largo - III Presto" available on 2006. With this song being about 5 minutes long, at 5:15, "Harpsichord Sonata in E flat major: II Largo - III Presto" by Christophe Rousset is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in 100 Best Baroque, so we believe that "Harpsichord Sonata in E flat major: II Largo - III Presto" is a single. In terms of popularity, Harpsichord Sonata in E flat major: II Largo - III Presto is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Harpsichord Sonata in E flat major: II Largo - III Presto by Christophe Rousset is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Concerto for Two Mandolins in G Major, RV 532: II. Andante | Antonio Vivaldi, Europa Galante, Fabio Biondi, Giovanni Scaramuzzino, Sonia Maurer | B Minor | 0 | 10A | 132 BPM | ||
Armida, Atto Terzo Scena 2: Ah mi tolga almen la vita (Armida, coro) | Antonio Salieri, Les Talens Lyriques, Christophe Rousset, Lenneke Ruiten, Chœur De Chambre De Namur | D Major | 3 | 10B | 148 BPM | ||
Orfeo ed Euridice, Wq. 30, Act III, Scene 1: "Che faro senza Euridice ?" (Orfeo) | Christoph Willibald Gluck, James Bowman, La Grande Écurie et la Chambre du Roy, Jean-Claude Malgoire | F♯ Major | 1 | 2B | 112 BPM | ||
Tarare, Acte I, Scène 6, Scène 7: « Qu'as-tu donc fait » (Atar) – « Seigneur, si j'ai sauvé ta vie » (Tarare) – « Que veux-tu, Calpigi ? » (Atar, Calpigi, Tarare) | Antonio Salieri, Jean-Sébastien Bou, Cyrille Dubois, Enguerrand de Hys, Les Talens Lyriques, Christophe Rousset | F Major | 4 | 7B | 72 BPM | ||
Roland, Opera, LWV 65: Acte I, scene 6: II. Air - Dans nos Climats sans chagrin on soupire (Deux Insulaires) | Jean-Baptiste Lully, Christophe Rousset, Les Talens Lyriques | C Major | 1 | 8B | 122 BPM | ||
Stabat Mater: Fac ut portem Christi mortem | Agostino Steffani, Cecilia Bartoli, Franco Fagioli, Julian Prégardian, I Barocchisti, Diego Fasolis | C Minor | 3 | 5A | 75 BPM | ||
Couperin, F: Verset du motet de l'année dernière: "Qui dat nivem" (First Dessus) | François Couperin, Christophe Rousset, Les Talents lyriques, Sandrine Piau | D♭ Minor | 0 | 12A | 75 BPM | ||
Alcina, HWV 34 / Act 1: Oh Dei! Quivi non scorgo | George Frideric Handel, Sonia Prina, Vito Priante, Karina Gauvin, Il Complesso Barocco, Alan Curtis | A Major | 1 | 11B | 79 BPM | ||
Fausto, Act I: Duetto. Sorgi al mio cenno, o Satana | Louise Bertin, Karine Deshayes, Ante Jerkunica, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Salve Regina in G Major: IV.Eia ergo | Nicola Porpora, Sandrine Piau, Les Talens Lyriques, Christophe Rousset | A♭ Minor | 1 | 1A | 107 BPM |
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