"Between two worlds; Judgement Day: The Fate of the Pianist and his Wife" by Erich Wolfgang Korngold, Alexander Frey, Deutsches Symphonie-Orchester Berlin, John Mauceri was released on January 1, 1995. The duration of Between two worlds; Judgement Day: The Fate of the Pianist and his Wife is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Between two worlds; Judgement Day: The Fate of the Pianist and his Wife's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Erich Wolfgang Korngold, Deutsches Symphonie-Orchester Berlin, John Mauceri's "Korngold: Between Two Worlds/Symphonic Serenade/Theme &" album is number 10 out of 19. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Between two worlds; Judgement Day: The Fate of the Pianist and his Wife is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Between two worlds; Judgement Day: The Fate of the Pianist and his Wife by Erich Wolfgang Korngold, Alexander Frey, Deutsches Symphonie-Orchester Berlin, John Mauceri to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Götterdämmerung, WWV 86D / Act III: Siegfried's Funeral March - Live | Richard Wagner, Gewandhausorchester, Andris Nelsons | F Minor | 0 | 4A | 71 BPM | ||
Mahler: Symphony No. 2 in C Minor "Resurrection": V. (g) Mit Aufschwung aber nicht eilen. "O Schmerz !" | Gustav Mahler, Sir Simon Rattle, Kate Royal, Magdalena Kozená, Rundfunkchor Berlin, Berliner Philharmoniker | E♭ Major | 4 | 5B | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
The Sea Hawk Suite: Gold Carava | Erich Wolfgang Korngold, London Symphony Orchestra, André Previn | C Major | 4 | 8B | 94 BPM | ||
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
La Princesse lontaine - Prelude | Nikolai Tcherepnin, Russian National Orchestra, Mikhail Pletnev | A Major | 0 | 11B | 69 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Hary Janos Suite: Háry János Suite: III. Song | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | G Major | 0 | 9B | 72 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM |
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