"Six Songs, Op. 36:1 Svarta rosor (Black Roses)" by Birgit Nilsson, Janos Solyom was released on July 5, 2011. With Six Songs, Op. 36:1 Svarta rosor (Black Roses) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 35 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. The popularity of Six Songs, Op. 36:1 Svarta rosor (Black Roses) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Six Songs, Op. 36:1 Svarta rosor (Black Roses) by Birgit Nilsson, Janos Solyom is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Simon Boccanegra / Prologue: Che dicesti? (Paolo, Pietro, Simone, Coro) | Giuseppe Verdi, José van Dam, Giovanni Foiani, Piero Cappuccilli, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado, Coro Del Teatro Alla Scala Di Milano, Romano Gandolfi | D Major | 1 | 10B | 93 BPM | ||
Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | ||
Stabat Mater: Sancta mater, istud agas | Gioachino Rossini, Riccardo Muti, Orchestra del Maggio Musicale Fiorentino | A♭ Major | 1 | 4B | 82 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Die Frau ohne Schatten, Op.65, TrV 234 / Act 3: Schweigt doch, ihr Stimmen! - Live | Richard Strauss, Birgit Nilsson, Vienna State Opera Orchestra, Karl Böhm | F Minor | 1 | 4A | 82 BPM | ||
4 Letzte Lieder, TrV 296: No. 1, Frühling | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | A Major | 2 | 11B | 77 BPM | ||
Carmina Burana / III. Cour d'amours: "Tempus est iocundum" | Carl Orff, Gundula Janowitz, Dietrich Fischer-Dieskau, Schöneberger Sängerknaben, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Major | 7 | 2B | 138 BPM | ||
Vier Letzte Lieder (Four Last Songs), Av 150: Iii. Beim Schlafengehen (Going to Sleep) | Birgit Nilsson | F Major | 1 | 7B | 87 BPM | ||
Seven Songs, Op. 17:6 Till, KVällen (In the Evening) | Birgit Nilsson, Geoffrey Parsons | D Minor | 1 | 7A | 134 BPM | ||
7 Songs, Op. 17: No. 6. Illalle (To Evening) (Sung in Swedish) | Jean Sibelius, Birgit Nilsson, Geoffrey Parsons | F Major | 1 | 7B | 96 BPM |
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