Ambroise Thomas, Simon Keenlyside, Ulf Schirmer's 'O vin, dissipe la tristesse' came out on September 1, 2006. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Tales Of Opera". In this album, this song's track order is #7. In terms of popularity, O vin, dissipe la tristesse is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O vin, dissipe la tristesse by Ambroise Thomas, Simon Keenlyside, Ulf Schirmer having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | B♭ Minor | 2 | 3A | 121 BPM | ||
Sibelius: Pelléas et Mélisande Suite, Op. 46: II. Mélisande | Jean Sibelius, Royal Philharmonic Orchestra, Sir Thomas Beecham | D♭ Major | 0 | 3B | 89 BPM | ||
Prince Igor, Act II: Polovtsian Dances, Dance I | Alexander Borodin, Paavo Järvi, Orchestre Philharmonique de Radio France | F Major | 1 | 7B | 97 BPM | ||
Gaite Parisienne (after J. Offenbach): 8.Valse lente | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 1 | 10B | 68 BPM | ||
Symphony No. 5 in B-Flat Major, D. 485: 2. Andante con moto | Franz Schubert, Wiener Philharmoniker, Claudio Abbado | B Major | 2 | 1B | 88 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: III. Presto | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | C Minor | 4 | 5A | 110 BPM | ||
La Damnation de Faust, Op. 24 / Part 2: Ballet des Sylphes | Hector Berlioz, Daniel Barenboim, Orchestre de Paris | D Major | 0 | 10B | 136 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM |
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