- BPM
- 68
- Key
- F♯ Minor
- Camelot
- 11A
Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir - Claude Debussy, Pierre-Laurent Aimard Information
- Acousticness
- 93%
- Danceability
- 16%
- Energy
- 6%
- Instrumentalness
- 91%
- Liveness
- 10%
- Loudness
- 56%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -26.22 dB
Summary
"Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir" by Claude Debussy, Pierre-Laurent Aimard was released on July 30, 2022. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 67 out of 161 in BBQ Night with Debussy by Claude Debussy, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir BPM
The tempo marking of Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir by Claude Debussy, Pierre-Laurent Aimard is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Préludes / Book 1, L.117: 4. Les sons et les parfums tournent dans l'air du soir Key
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Préludes Book 1, L. 117: III. La Cathedrale Engloutie | Claude Debussy, Martin Jones | D Minor | 0 | 7A | 67 BPM | |
 | 2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | |
 | Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) | Sergei Rachmaninoff, Gidon Kremer, Daniil Trifonov | C Major | 1 | 8B | 104 BPM | |
 | Sonata for Cello and Piano No. 4 in C Major, Op. 102 No. 1: I. Andante | Ludwig van Beethoven, Mischa Maisky, Martha Argerich | C Major | 0 | 8B | 66 BPM | |
 | Dvorák / Transc. Lenaerts: Rusalka, Op. 114, Act 1: Song to the Moon | Antonín Dvořák, Anneleen Lenaerts | F♯ Major | 0 | 2B | 168 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | 12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Petite suite: I. En bateau (arr. H. Busser for orchestra): I. En bateau | Claude Debussy, Henri Büsser, Orchestre National De Lyon, Jun Markl | G Major | 0 | 9B | 93 BPM |
- ISRC
- DEN961230304
- Label
- L-M Records/RCA Records
Section: 0.7781422138214111
End: 0.7828662395477295