"Fantasia No. 5 in B-Flat Major, TWV 40:30: III. Allegro" by Georg Philipp Telemann, Israel Castillo Hernández was released on November 4, 2022. With Fantasia No. 5 in B-Flat Major, TWV 40:30: III. Allegro being less than two minutes long, at 1:16, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Georg Philipp Telemann, Israel Castillo Hernández's "Georg Philipp Telemann: 12 Fantaisies pour la basse de viole, TWV 40:26-37" album is number 13 out of 34. On top of that, Mexico appears to be the country where this track was created. In terms of popularity, Fantasia No. 5 in B-Flat Major, TWV 40:30: III. Allegro is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Fantasia No. 5 in B-Flat Major, TWV 40:30: III. Allegro by Georg Philipp Telemann, Israel Castillo Hernández to be Moderato (at a moderate speed) because the track has a tempo of 111 BPM, a half-time of 56BPM, and a double-time of 222 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Phaeton, Prologue - Le retour de l'Âge d'or: Ouverture | Jean-Baptiste Lully, Christophe Rousset, Chœur De Chambre De Namur, Les Talens Lyriques | B♭ Major | 3 | 6B | 128 BPM | ||
Telemann: Tafelmusik, Pt. 1, Concerto for Flute, Violin and Cello in A Major, TWV 53:A2: IV. Allegro | Georg Philipp Telemann, Emmanuel Pahud, Berliner Barock Solisten, Georg Faust, Rainer Kussmaul | A Major | 1 | 11B | 120 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: VII. Gigue | Cologne Chamber Orchestra, Georg Philipp Telemann | A Major | 2 | 11B | 118 BPM | ||
Overture (Suite) In G Minor, TWV 55: G4: VI. Gasconnade | Cologne Chamber Orchestra, Georg Philipp Telemann | G Minor | 4 | 6A | 146 BPM | ||
Bassoon Concerto in C Major, FWV L:C2: I. Allegro | Johann Friedrich Fasch, Paolo Tognon, Capella Savaria, Pál Németh | F♯ Major | 2 | 2B | 103 BPM | ||
Overture (Suite) in G Major, TWV 55:G10, "Burlesque de Quixotte": I. Ouverture | Georg Philipp Telemann, Northern Chamber Orchestra, Nicholas Ward | A Major | 2 | 11B | 110 BPM | ||
Concerto for Flute and Oboe in B Minor, FaWV L:h1: I. Allegro | Johann Friedrich Fasch, Jan De Winne, Marcel Ponseele, Il Gardellino | B♭ Minor | 2 | 3A | 93 BPM | ||
Kommt, eilet und laufet, BWV 249, "Easter Oratorio": I. Sinfonia, ''Adagio'' | Johann Sebastian Bach, Keisuke Wakao, Malcolm Lowe, Victor Romanul, Cathy Basrak, Sato Knudsen, Edwin Barker | D♭ Major | 8 | 3B | 117 BPM |
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