"Symphony No.3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo" by Henryk Górecki, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa was released on 2001. Since Symphony No.3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Henryk Górecki, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa's "Gorecki: Symphony Of Sorrowful Songs (1000 Years Of Classical Music, Vol. 97)" album is number 2 out of 3. Symphony No.3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.3, Op. 36 "Symphony of Sorrowful Songs": 2. Lento e largo by Henryk Górecki, Yvonne Kenny, Adelaide Symphony Orchestra, Takuo Yuasa to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater | Andreas Scholl | F Major | 1 | 7B | 85 BPM | ||
Concerto For Violoncello And Strings: I. (Turbulent, Tense) | Dobrinka Tabakova, Kristine Blaumane, Lithuanian Chamber Orchestra, Maxim Rysanov | E Minor | 4 | 9A | 89 BPM | ||
Pieśni Maryjne, Op. 54: 2. Matko Najświętsza! (Most Holy Mother) | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | D Minor | 0 | 7A | 133 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
Parce Mihi Domine | Jan Garbarek, Cristobal de Morales, The Hilliard Ensemble | B♭ Major | 1 | 6B | 129 BPM | ||
Trinity Requiem: In paradisum | Robert Moran, Trinity Youth Chorus, Robert Ridgell | A♭ Major | 1 | 4B | 82 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Requiem, Op. 48: Requiem, Op. 48: I. Introït | Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale | D Minor | 0 | 7A | 108 BPM | ||
The Protecting Veil: The Dormition of the Mother of God | John Tavener, Maria Kliegel, Ulster Orchestra, Takuo Yuasa | G Major | 0 | 9B | 84 BPM | ||
Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM |
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