"Chorale Prelude in E-Flat Major, BWV 645 "Wachet auf, ruft uns die Stimme"" by Johann Sebastian Bach, David Russell was released on November 21, 2023. With this song being about 5 minutes long, at 5:05, "Chorale Prelude in E-Flat Major, BWV 645 "Wachet auf, ruft uns die Stimme"" by Johann Sebastian Bach, David Russell is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Winter Classical by Various Artists. The song's track number on the album is #31 out of 91 tracks. Based on our data, United States was the country where this track was produced or recorded. Chorale Prelude in E-Flat Major, BWV 645 "Wachet auf, ruft uns die Stimme" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Chorale Prelude in E-Flat Major, BWV 645 "Wachet auf, ruft uns die Stimme" by Johann Sebastian Bach, David Russell has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Chorale Prelude in E-Flat Major, BWV 645 "Wachet auf, ruft uns die Stimme" being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
|Solfeggio in C Minor, Wq. 117: No. 2||Carl Philipp Emanuel Bach, See Siang Wong||C Minor||2||5A||78 BPM|
|Concerto for 2 Harpsichords, Strings & Continuo in C Minor, BWV 1060 - Reconstruction For Oboe, Violin, Strings & Continuo: I. Allegro||Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc||G Major||1||9B||122 BPM|
|Bach: Keyboard Concerto in F Minor, BWV 1056: I. Allegro||Johann Sebastian Bach, Sir Neville Marriner, Andrei Gavrilov, Academy of St. Martin in the Fields||B♭ Minor||2||3A||104 BPM|
|Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo)||Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis||A Minor||1||8A||79 BPM|
|St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott"||Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen||B♭ Minor||1||3A||79 BPM|
|Notebook for Anna Magdalena Bach (1725) [Excerpts]: No. 18, Marche in G Major, H. 1 No. 3 [Attrib. J.S. Bach's BWV Anh. 124]||Carl Philipp Emanuel Bach, Giovanni Mazzocchin||E♭ Major||1||5B||113 BPM|
|2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779||Janos Sebestyen, Johann Sebastian Bach||F Major||3||7B||123 BPM|
|King Arthur, Z. 628, "The British Worthy": Air||Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett||D♭ Minor||0||12A||114 BPM|
|Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia||Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner||F♯ Minor||1||11A||94 BPM|
|Orfeo ed Euridice, Act II Scene 2: Ballet Music, "Reigen der seligen Geister" (arr. W. Kempff): Orpheus and Eurydice: Ballet Music - Reigen der seligen Geister (trans. W. Kempff)||Wilhelm Kempff, Christoph Willibald Gluck, Idil Biret||F Major||0||7B||81 BPM|