Franz Joseph Haydn, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir made "Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 11 Chor: "Stimmt an die Saiten"" available on May 1, 2021. With Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 11 Chor: "Stimmt an die Saiten" being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 141 in the song's album "Simply Haydn". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. Based on our statistics, Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 11 Chor: "Stimmt an die Saiten"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Die Schöpfung, Hob. XXI:2 / Erster Teil: No. 11 Chor: "Stimmt an die Saiten" by Franz Joseph Haydn, English Baroque Soloists, John Eliot Gardiner, The Monteverdi Choir having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Mass No. 10 in C Major, Hob. XXII:9, "Missa in tempore belli", "Paukenmesse", "Kriegsmesse": Gloria. Qui tollis peccata mundi | Joseph Haydn, Ann Hoyt, Kirsten Sollek, Daniel Neer, Richard Lippold, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | D♭ Minor | 2 | 12A | 81 BPM | ||
Piano Concerto No.2 In F Minor, Op.21: 3. Allegro vivace | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | B♭ Minor | 2 | 3A | 107 BPM | ||
String Quartet No.12 in F major, Op.96 - "American" B.179: 2. Lento | Antonín Dvořák, Hagen Quartett | D Minor | 1 | 7A | 88 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Hungarian Dance No.2 In D Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | G Minor | 2 | 6A | 69 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
String Quintet in D Minor: III. Adagietto | Ján Levoslav Bella, Frantisek Magyar, Moyzesovo kvarteto | F Minor | 1 | 4A | 127 BPM |
Section: 0.8087279796600342
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