"Symphony No. 7 in A Major, Op. 92: II. Allegretto" by Ludwig van Beethoven, Minnesota Orchestra, Osmo Vänskä was released on August 1, 2008. Since Symphony No. 7 in A Major, Op. 92: II. Allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 8 in Beethoven, Van L.: Symphonies Nos. 2 and 7 by Ludwig van Beethoven, Osmo Vänskä. Based on our statistics, Symphony No. 7 in A Major, Op. 92: II. Allegretto's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 in A Major, Op. 92: II. Allegretto by Ludwig van Beethoven, Minnesota Orchestra, Osmo Vänskä is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Also sprach Zarathustra, Op. 30: I. Introduction | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | C Major | 2 | 8B | 82 BPM | ||
Ständchen (From Schwanengesang, D957) | Franz Liszt, Evgeny Kissin | D Major | 0 | 10B | 68 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Werner Haas | D♭ Major | 0 | 3B | 126 BPM | ||
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen | Robert Schumann, Martha Argerich | G Major | 0 | 9B | 128 BPM | ||
Die Walkürie (The Valkyrie), Act 3: Ride of the Valkyries | London Philharmonic Orchestra | B Major | 4 | 1B | 95 BPM | ||
Piano Sonata No.14 in C sharp minor, Op.27 No.2 -"Moonlight": 1. Adagio sostenuto | Ludwig van Beethoven, Claudio Arrau | D♭ Minor | 0 | 12A | 136 BPM | ||
Symphony No. 7 in A Major, Op. 92: II. Allegretto | Ludwig van Beethoven, George Szell, Cleveland Orchestra | E Minor | 0 | 9A | 77 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace - Presto | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | D Major | 2 | 10B | 90 BPM | ||
No. 3 in G-Sharp Minor, "La Campanella" | Franz Liszt, Patrick Rapold | A♭ Major | 4 | 4B | 92 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM |
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