12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI by Ludwig van Beethoven, Mischa Maisky, Martha Argerich

Song Analysis

Audio information that is featured on 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI by Ludwig van Beethoven, Mischa Maisky, Martha Argerich.

Acousticness

98%

Energy

4%

Liveness

11%

Speechiness

4%

Danceability

33%

Instrumentalness

95%

Loudness

50%

Valence

62%

Harmonic Matches

Find songs that harmonically matches to 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI by Ludwig van Beethoven, Mischa Maisky, Martha Argerich. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Playa de Poniente by Cinthya Garcia, Conexion FilmsPlaya de PonienteCinthya Garcia, Conexion FilmsG Major19B138
Symphony No. 4: I. Bedächtig. Nicht Eilen by Gustav Mahler, Berliner Philharmoniker, Yannick Nézet-SéguinSymphony No. 4: I. Bedächtig. Nicht EilenGustav Mahler, Berliner Philharmoniker, Yannick Nézet-SéguinG Major19B105
El Cisne by Camille Saint-Saëns, Diez PianosEl CisneCamille Saint-Saëns, Diez PianosG Major69B94
Caballeria Ligera - Obertura by Franz von Suppé, Inma SharaCaballeria Ligera - OberturaFranz von Suppé, Inma SharaG Major59B115
Die schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der Bach by Franz Schubert, Mischa Maisky, Daria HovoraDie schöne Müllerin, Op. 25, D. 795: No. 19 Der Müller und der BachFranz Schubert, Mischa Maisky, Daria HovoraG Major09B96
Ravel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti) by Maurice Ravel, Esther Abrami, Iyad SughayerRavel Variation (Arr. for Violin & Piano after Pavane pour une infante défunte, M. 19 by Ketan & Vivan Bhatti)Maurice Ravel, Esther Abrami, Iyad SughayerG Major29B168
Goldberg Variations, BWV 988: Aria by Johann Sebastian Bach, Lang LangGoldberg Variations, BWV 988: AriaJohann Sebastian Bach, Lang LangG Major09B76
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": I. AllegroFranz Joseph Haydn, Alban Berg QuartettG Major19B102
Sonata for Solo Cello, Op.8: 2. Adagio (Con gran espressione) by Zoltán Kodály, Zara NelsovaSonata for Solo Cello, Op.8: 2. Adagio (Con gran espressione)Zoltán Kodály, Zara NelsovaG Major19B93
Chanson de nuit, Op.15 No.1 by Edward Elgar, Hallé, Sir Mark ElderChanson de nuit, Op.15 No.1Edward Elgar, Hallé, Sir Mark ElderG Major09B80
Rage Over A Lost Penny, Op.129 by Ludwig van Beethoven, Valentina LisitsaRage Over A Lost Penny, Op.129Ludwig van Beethoven, Valentina LisitsaG Major29B80
Die Moldau by Bedřich Smetana, Uwe MundDie MoldauBedřich Smetana, Uwe MundG Major29B77
Variations on Variations on "God Save The King" for Solo Violin, Op. 9Niccolò Paganini, Roman KimG Major29B99
Kinderszenen, Op.15: 1. Von fremden Ländern und Menschen by Robert Schumann, Martha ArgerichKinderszenen, Op.15: 1. Von fremden Ländern und MenschenRobert Schumann, Martha ArgerichG Major09B128
Le carnaval des animaux, R. 125: 13. Le cygne by Camille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl BöhmLe carnaval des animaux, R. 125: 13. Le cygneCamille Saint-Saëns, Wolfgang Herzer, Alfons Kontarsky, Aloys Kontarsky, Karl BöhmG Major09B102
Sonata in G Major, K 13 (L 486) by Domenico Scarlatti, Glenn GouldSonata in G Major, K 13 (L 486)Domenico Scarlatti, Glenn GouldG Major39B101
La Moldau by Bedřich Smetana, Slovak Philharmonic, Kurt RedelLa MoldauBedřich Smetana, Slovak Philharmonic, Kurt RedelG Major19B81
String Quintet in C Major G. 324, Op. 30, No.6, String Quintet in C Major G. 324, Op. 30, No.6, "La musica notturna delle strade di Madrid": String Quintet in C major G.324, Op.30 No.6, "La musica notturna delle strade di Madrid": IV. Il rosario: Largo assai - AllegroLuigi Boccherini, Cuarteto Casals, Eckart RungeG Major09B82
Ave Maria, CG 89a by Charles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina ReynoldsAve Maria, CG 89aCharles Gounod, Johann Sebastian Bach, Greta Bradman, Adelaide Symphony Orchestra, Luke Dollman, Natsuko Yoshimoto, Katrina ReynoldsG Major29B85
Largo from Xerxes by George Frideric Handel, Eugene Ormandy, Philadelphia OrchestraLargo from XerxesGeorge Frideric Handel, Eugene Ormandy, Philadelphia OrchestraG Major19B82
Tod und Verklarung (Death and Transfiguration), Op. 24, TrV 158 by Richard Strauss, Slovak Philharmonic, Zdeněk KošlerTod und Verklarung (Death and Transfiguration), Op. 24, TrV 158Richard Strauss, Slovak Philharmonic, Zdeněk KošlerG Major19B80

12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI by Ludwig van Beethoven, Mischa Maisky, Martha Argerich Information

This song is track #185 in Cosy Beethoven by Ludwig van Beethoven, Mischa Maisky, Martha Argerich, which has a total of 289 tracks. The duration of this track is 0:39 and was released on October 9, 2021. As of now, this track is currently not as popular as other songs out there. 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI doesn't provide as much energy as other songs but, this track can still be danceable to some people.

12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI BPM

12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI has a BPM of 78. Since this track has a tempo of 78, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI Key

The key of 12 Variations on "See the conquering hero comes" for Cello and Piano, WoO 45: Variation VI is G Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

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