"La forza del destino: La Vergine degli angeli" by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone was released on May 15, 2012. The duration of La forza del destino: La Vergine degli angeli is about 3 minutes long, at 3:19. Based on our data, "La forza del destino: La Vergine degli angeli" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 55 in the song's album "Ultimate Opera Collection: Greatest Arias of All Time". In this album, this song's track order is #40. La forza del destino: La Vergine degli angeli is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La forza del destino: La Vergine degli angeli by Compagnia d'Opera Italiana Orchestra, Antonello Gotta, Antonia Cifrone having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 11 in A Major, K. 331: III. Allegretto (Alla Turca) | Wolfgang Amadeus Mozart, Christoph Eschenbach | A Major | 2 | 11B | 129 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Act 1: XIII. Dance of the Knights | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | C Major | 0 | 8B | 104 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Steven Isserlis | G Major | 0 | 9B | 114 BPM | ||
Unconditioned (Following, A Bird) | Ezio Bosso | C Major | 0 | 8B | 75 BPM | ||
Vaughan Williams: Fantasia on Greensleeves | Ralph Vaughan Williams, Andrew Davis, BBC Symphony Orchestra | C Minor | 1 | 5A | 89 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Pavanne | Peter Cooper, Marcia Labella | F♯ Minor | 1 | 11A | 69 BPM | ||
Symphony No. 1 in D Major "Titan": III. Feierlich und gemessen, ohne zu schleppen | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | C Major | 4 | 8B | 115 BPM | ||
La Sainte-Chapelle (Orch. Dannheisser) | Lisa Batiashvili, London Metropolitan Orchestra, Andy Brown | B♭ Major | 1 | 6B | 81 BPM |
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