Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace by Murray Perahia, Sir Georg Solti

Song Analysis

Audio information that is featured on Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace by Murray Perahia, Sir Georg Solti.

Acousticness

99%

Energy

25%

Liveness

13%

Speechiness

4%

Danceability

48%

Instrumentalness

84%

Loudness

64%

Valence

55%

Harmonic Matches

Find songs that harmonically matches to Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace by Murray Perahia, Sir Georg Solti. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Piano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivace by Martha Argerich, Bavarian Radio Symphony OrchestraPiano Concerto No. 18 in B-Flat Major, K. 456: I. Allegro vivaceMartha Argerich, Bavarian Radio Symphony OrchestraB♭ Major16B139
String Quartet No. 1 In D Major, Op. 11: II. Andante Cantabile by Borodin Quartet, Pyotr Ilyich TchaikovskyString Quartet No. 1 In D Major, Op. 11: II. Andante CantabileBorodin Quartet, Pyotr Ilyich TchaikovskyB♭ Major06B140
Concerto for Cello & Wind Band: II. Idylle by Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-PfalzConcerto for Cello & Wind Band: II. IdylleFriedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-PfalzB♭ Major06B80
Sonata No. 16 in B Flat Major, III. Allegretto by Maria João PiresSonata No. 16 in B Flat Major, III. AllegrettoMaria João PiresB♭ Major26B140
Konzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 2. Satz by Alfred Brendel, Vienna Volksoper Orchestra, Walter KlienKonzert Für 2 Klaviere Und Orchester Nr.10 In Es-Dur, KV 365: 2. SatzAlfred Brendel, Vienna Volksoper Orchestra, Walter KlienB♭ Major06B83
Piano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivace by Martha Argerich, Bavarian Radio Symphony OrchestraPiano Concerto No. 18 in B-Flat Major, K. 456: III. Allegro vivaceMartha Argerich, Bavarian Radio Symphony OrchestraB♭ Major36B156
Candide / Act I: 1. Overture by Leonard Bernstein, London Symphony OrchestraCandide / Act I: 1. OvertureLeonard Bernstein, London Symphony OrchestraB♭ Major46B148
Piano Sonata in F Major, KV332: II. Adagio by Ingrid HaeblerPiano Sonata in F Major, KV332: II. AdagioIngrid HaeblerB♭ Major06B73
Piano Concerto No. 1 in B Flat Minor, Op. 23: III. Allegro con fuoco by Emil GilelsPiano Concerto No. 1 in B Flat Minor, Op. 23: III. Allegro con fuocoEmil GilelsB♭ Major36B80
Trio pour piano No. 2 in E-Flat Major, Op. 100, D. 929: I. Allegro by Rudolf Serkin, Adolf Busch, Hermann BuschTrio pour piano No. 2 in E-Flat Major, Op. 100, D. 929: I. AllegroRudolf Serkin, Adolf Busch, Hermann BuschB♭ Major16B86
Piano Sonata No. 13 In B Flat Major, K. 333: III. Allegretto Grazioso by Jenő Jandó, Wolfgang Amadeus MozartPiano Sonata No. 13 In B Flat Major, K. 333: III. Allegretto GraziosoJenő Jandó, Wolfgang Amadeus MozartB♭ Major16B82
Sonata in F Major, K. 533: II. Andante by Richard GoodeSonata in F Major, K. 533: II. AndanteRichard GoodeB♭ Major06B126
Symphonie Espagnole in D Minor, Op. 21: I. Allegro non troppo by Arthur GrumiauxSymphonie Espagnole in D Minor, Op. 21: I. Allegro non troppoArthur GrumiauxB♭ Major16B76
Noel In Midnight by Pascal RogéNoel In MidnightPascal RogéB♭ Major06B75
Lipatti's Partita n°1 en si bémol majeur BWV825: IV. Sarabande by Dinu LipattiLipatti's Partita n°1 en si bémol majeur BWV825: IV. SarabandeDinu LipattiB♭ Major26B74
Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. Satz by Alfred Brendel, Vienna Volksoper OrchestraKlavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 3. SatzAlfred Brendel, Vienna Volksoper OrchestraB♭ Major16B77
Piano Sonata in B-Flat Major, KV333: III. Allegretto - Grazioso by Ingrid HaeblerPiano Sonata in B-Flat Major, KV333: III. Allegretto - GraziosoIngrid HaeblerB♭ Major16B143
Mazurka Op. 67 No. 2 For Piano by Arthur RubinsteinMazurka Op. 67 No. 2 For PianoArthur RubinsteinB♭ Major26B51
Partita for keyboard No. 1 in B flat major, BWV 825 (BC L1) by Dinu LipattiPartita for keyboard No. 1 in B flat major, BWV 825 (BC L1)Dinu LipattiB♭ Major76B103
Variations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. Antoni by Murray Perahia, Sir Georg SoltiVariations on a Theme by Haydn for Two Pianos, Op. 56b: Thema. Chorale St. AntoniMurray Perahia, Sir Georg SoltiB♭ Major06B98
Kreisleriana, Op. 16: 1. Äusserst bewegt by Vladimir HorowitzKreisleriana, Op. 16: 1. Äusserst bewegtVladimir HorowitzB♭ Major16B105
Violin Concerto No.1 in B Flat Major, K. 207: I. Allegro moderato by Arthur GrumiauxViolin Concerto No.1 in B Flat Major, K. 207: I. Allegro moderatoArthur GrumiauxB♭ Major46B137

Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace by Murray Perahia, Sir Georg Solti Information

This song is track #10 in Original Album Classics - Murray Perahia by Murray Perahia, Sir Georg Solti, which has a total of 59 tracks. The duration of this track is 1:10 and was released on 1973. As of now, this track is currently not as popular as other songs out there. Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace doesn't provide as much energy as other songs but, this track can still be danceable to some people.

Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace BPM

Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace has a BPM of 103. Since this track has a tempo of 103, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace Key

The key of Variations on a Theme by Haydn for Two Pianos, Op. 56b: Variation 6. Vivace is B♭ Major. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.

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